Parody: Ancient, Modern and Post-modernCambridge University Press, 1993 M09 9 - 316 páginas In this definitive work Margaret Rose presents an analysis and history of theories and uses of parody from ancient to contemporary times and offers a new approach to the analysis and classification of modern, late-modern, and post-modern theories of the subject. The author's Parody/Meta-Fiction (1979) was influential in broadening awareness of parody as a 'double-coded' device which could be used for more than mere ridicule. In the present study she both expands and revises the introductory section of her 1979 text and adds substantial new sections on modern and post-modern theories and uses of parody and pastiche which also discuss the work of theorists and writers including the Russian formalists, Mikhail Bakhtin, Hans Robert Jauss, Wolfgang Iser, Julia Kristeva, Roland Barthes, Michel Foucault, Jacques Derrida, Ihab Hassan, Jean Baudrillard, Fredric Jameson, A. S. Byatt, Martin Amis, Charles Jencks, Umberto Eco, David Lodge, Malcolm Bradbury and others. |
Contenido
Introduction | 1 |
Defining parody from the Ancients onwards | 3 |
Ways of defining parody | 5 |
The etymology of parody | 6 |
Comic aspects of parody | 20 |
Reader reception | 36 |
Attitudes of the parodist | 45 |
General parody | 47 |
M M Bakhtin | 125 |
Reception theorists | 170 |
Structuralists and poststructuralists | 177 |
Postmodern parody | 193 |
Contemporary latemodern and postmodern theories and uses of parody | 195 |
a summary | 198 |
Deconstructionist and other latemodern theories of the postmodern and parody | 206 |
Doublecoded postmodernism and parody | 232 |
Distinguishing parody from related forms | 54 |
Persiflage pekoral plagiarism and hoax | 68 |
Pastiche | 72 |
Quotation crossreading cento and contrafact | 77 |
Satire | 80 |
Irony | 87 |
Metafiction | 91 |
Modern parody | 101 |
Modern and latemodern theories and uses of parody | 103 |
Parody regained? Postmodern parody in theory and practice | 242 |
conclusion | 271 |
Parody past and future | 275 |
General review of past theories and uses of parody | 277 |
Summary of past theories and uses of parody | 279 |
The future of parody some concluding comments | 284 |
| 285 | |
| 306 | |
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ambivalent ancient parody Aristophanes aspects Athenaeus Bakhtin Batrachomyomachia Baudrillard Bradbury Bradbury's burlesque carnival carnivalistic Cena Cypriani Cervantes chapter character characteristics Charles Jencks comedy comic effect complex concept of parody contrast critical criticised David Lodge definition of parody describe parody description of parody device Dialogic Imagination discourse discussed Don Quixote Dostoyevsky double-coding edited essay example fiction Fiedler functions genre Hassan heteroglossia high burlesque Householder humour Ibid imitation incongruity intertextuality ironic irony Jameson Jauss latter laughter Lelièvre literary parody literature Lodge's London Malcolm Bradbury meaning Menippean satire meta-fictional modern and late-modern modernist negative novel parodied text parodist parody and travesty pastiche Poetics post-modern architecture post-modernist Problems Quintilian quotation Rabelais reader recent reference ridicule Russian formalists Shklovsky Shklovsky's Sterne Sterne's structure style stylistic suggested target Teorii Prozy term parody theories of parody translated Tristram Shandy Tynyanov understanding of parody view of parody word writes