Motion Picture Photography: A History, 1891-1960

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McFarland, 2014 M11 18 - 379 páginas

In 1891, William Dickson, a researcher at Thomas Edison's firm, developed the Kinetograph, a motion picture camera that used Eastman Kodak's new celluloid film. Almost immediately, an industry was born. The new artistic and technical discipline of motion picture photography matured as the film industry grew. From the beginnings of the movie camera, developments in film production and exhibition have been inextricably linked to the evolution of motion picture photography.

This work traces the history of motion picture photography from the late 19th century through the year 1960, when color photography became the accepted standard. Generously illustrated, it covers each decade's cameras, lenses, cameramen, film processing methods, formats, studios, lighting techniques and major cinematographic developments. Each chapter concludes with examples of the decade's outstanding cinematography.

Instructors considering this book for use in a course may request an examination copy here.

 

Contenido

Preface
1
PART ITHE BEGINNINGS 1 Chronology of an Invention 30
3
The First Cameramen
8
Motion Picture Cameras and Lenses
19
The First Studios
32
Film Processing
38
Color and Film Formats
47
First Conflicts and Wars
51
PART IIIThe Thirties 19 Cameras
142
New Film Studios
163
All Talking Newsreels
178
New Lighting Techniques
187
Advances in Special Effects
198
New Color Systems
208
Progress and New Technology
219
Cinematographers
228

PART IITHE TWENTIES 8 Cameras
54
Shooting Implements and Systems
73
Studios of the Twenties
87
The Work of the Studio Cameraman
92
The Mobile Camera
98
Lighting Techniques
102
The Silent Newsreel
107
The Cameraman in Exotic Lands
112
Motion Picture Laboratories
117
Trick Cinematography
125
Outstanding Cinematography
129
PART IVTHE FORTIES
248
The Combat Cameraman
267
Best Cinematography
276
PART VTHE FIFTIES
289
New Screen Techniques
308
Cinematographers of the Fifties
335
Closing Words
347
Bibliography
359
Index
365
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H. Mario Raimondo-Souto is an Uruguayan filmmaker.

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