Critical Ethnography: Method, Ethics, and PerformanceSAGE Publications, 2011 M07 13 - 285 páginas The revised Second Edition of Critical Ethnography guides readers through theories, methods, and ethics of ethnographic research creating a confidence to complete fieldwork while demonstrating analytical and theoretical depth. This text highlights the productive links between theory and method and how both become more valuable as they interact through fieldwork. Theoretical concepts range from queer theory, feminist theory, and critical race theory to Marxism and phenomenology. The methodological techniques range from designing and asking in-depth interview questions and developing rapport to coding and interpreting data. The various theories and methods culminate in three fictional ethnographic case studies that guide readers on how to incorporate theoretical concepts with their interpretations and data analysis. |
Contenido
Theory and Method | 1 |
Do I Really Need a Method? A Method or Deep Hanging Out? | 19 |
Case Studies in Critical Ethnography | 51 |
Chapter 4 Ethics | 95 |
Chapter 5 Methods and Ethics | 127 |
Three Case Studies in Ethical Dilemmas | 147 |
Chapter 7 Performance Ethnography | 165 |
Writing as Performance | 209 |
Chapter 9 The Case Studies | 233 |
| 249 | |
| 271 | |
About the Author | 285 |
Otras ediciones - Ver todas
Critical Ethnography: Method, Ethics, and Performance D. Soyini Madison Sin vista previa disponible - 2011 |
Términos y frases comunes
action activists advocacy Africa analysis articulate audience autoethnography become behavior body codes communitas concerned Conquergood consciousness constitute construction context critical ethnography critical race theory critical theory critique cultural performances describe dialogical performance dialogue Ecofeminism economic embodied engagement ethics ethnographer experience expressed feel feminism feminist field fieldwork gender global God’s heteronormativity ideas identity images implications important individual informed consent interpretation interview Joan kinesis knowledge language lay summary listening lives Lugones means memory method moral muse map narration narrative nature Neoliberalism norms notion one’s oral history participants particular perception performance studies performative writing phenomenology playful political positionality postcolonial practices qualitative research queer Queer theory questions race racial relations relationship representation researcher’s responsibility Robert sexuality social space specific story structures subjects symbolic symbolic interactionism theatre theory tion Turner understand University voice wild mind witness women words world traveling