Marguerite Duras: Writing on the Body

absence already appears articulation becomes begins body calls central complete concern connection constitutes continually dead death describes desire difference discourse displacement double Duras effect establishes event exchange fantasy fascination feminine feminist figure forget fragments frame function gaze Hiroshima mon amour impossible inscribed Lacan lack language limits linked look loss Marguerite Duras marks maternal meaning memory metaphor mirror moment Moreover mother mourning movement narration narrative never object opening operation origin Paris passage perhaps perpetual play pleasure poses position possibility precisely present Press problem produced puts question Ravishing reader reading referent relation repeats repetition representation scene screen sense separation sexual signifier space speaking speech split status story structure suspense symbolic takes tell term text's textual tion trans translation Vice-Consul voice woman writing York