Marguerite Duras: Writing on the Body

absence already appears articulation becomes begins body calls central characterizes complete concern connection constitutes construction continually dead death describes desire difference discourse displacement double Duras effect establishes event exchange fantasy fascination feminine feminist figure forget fragments frame function gaze Hiroshima mon amour impossible inscribed Lacan lack language limits linked look loss Marguerite Duras marks maternal meaning memory metaphor mirror moment Moreover mother mourning movement narration narrative never object opening operation origin Paris passage perhaps perpetual play pleasure poses position possibility precisely present problem produced puts question Ravishing reader reading reference relation relationship repeats repetition representation scene sense separation sexual signifier space speaking specific speech split status story structure suspense symbolic takes tell term textual tion trans translation Vice-Consul voice woman writing