Composers Voices from Ives to Ellington: An Oral History of American Music

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Yale University Press, 2005 M01 1 - 477 páginas
Even before movies had sound, filmmakers dramatised the lives of composers. Movie biographies - or biopics - have depicted composers as diverse as Wolfgang Amadeus Mozart, George M. Cohan, Stephen Foster, and George Gershwin. In this enticing book, the first devoted entirely to such films, John C. Tibbetts surveys different styles and periods from the Hollywood of the 1920s and 1930s to the international cinema of today, exploring the role that film biographies play in our understanding of history and culture. Tibbetts delves into such questions as: How historically accurate are composer biopics? How and why have inaccuracies and distortions been perpetrated? What strategies have been used to represent visually the creative process? The book examines the films in several contexts and considers their role in commodifying and popularizing music. Extensive archival research, dozens of illustrations, and numerous interviews make this an appealing book for film and music enthusiasts at all levels. Every film buff will want to consult this book, as will musicologists and students in film and communication studies. Michael Saffle, Virginia Polytechnic Institute and State University

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Contenido

1 January 1900
1
TWO On Ragtime and Eubie Blake
47
THREE From the Early Modernists
67
FOUR On the Jazz Age and George Gershwin
183
Nadia Boulanger
235
SIX From the Boulangerie
253
SEVEN Exploring the World of Duke Ellington
351
Notes
417
Resources
431
List of Supplemental Interviews
445
Illustration Credits
448
CD Track Listing
450
CD Music Credits
452
Index
459

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