Beyond Representation: Philosophy and Poetic Imagination
Charles and Harriett Cox McDowell Professor of Philosophy Richard Eldridge, Associate Professor of Philosophy Salim Kemal, Professor of Cultural History and of Museum Studies Ivan Gaskell
Cambridge University Press, 1996 M03 21 - 306 páginas
The essays in this volume explore the ways in which traditional philosophical problems about self-knowledge, self-identity, and value have migrated into literature since the Romantic and Idealist periods. How do so-called literary works take up these problems in a new way? What conception of the subject is involved in this literary practice? How are the lines of demarcation between philosophy and literature problematized. The contributors examine these issues with reference both to Romantic and Idealist writers and to some of their subsequent literary and philosophical inheritors and revisers. Their essays offer a philosophical understanding of the roots and nature of contemporary literary and philosophical practice, and elaborate powerful and influential, but rarely decisively articulated, conceptions of the human subject and of value.
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Hegels poetics of action
aesthetics after the aesthetic
philosophical writing and actual
Poetry and truthconditions SAMUEL FLEISCHACKER
chaos and system in the Romantic
The minds horizon STANLEY BATES
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action activity aesthetic Anodos appear articulation attempt authority become chaos claims Coleridge comes complete concept confession consciousness continue course critical Critique culture desire effect essays existence experience expression fact feeling female figure forgiveness fragment freedom give given guilt hard Hegel hence human idea ideal imagination individual interests interpretation involves judgment Kant Kant's kind knowledge language least limits literary matter means mind moral nature never object once particular performance perhaps person philosophical play poem poet poetic poetry political position possible practice present Press problem pure question rational readers reading reason reflective relation remains represent representation response Romantic seems sense simply social speak stage suggest theory things thought tion true truth turn understanding University utterance voice Wordsworth writing