The Absent ShakespeareFairleigh Dickinson Univ Press, 1994 - 174 páginas Building on recent textual studies of King Lear and Hamlet, which compare Folio and Quarto differences, Mirsky sees them not just as an opportunity to view the playwright revising toward more skillful staging, greater complexity of plot, and ambiguity of character. The process of revision also exposes a personal Shakespeare. Differences between Folio and Quarto texts show the growing sophistication of Shakespeare's dramatic craft and reveal how the playwright changed as he matured. The book presents a dramatist maturing in time, grappling with incest, patricide, filicide, erotic love, and the inevitability of death. It finds this naked Shakespeare in Macbeth and The Tempest as well, expressed in the riddles of the plays. The author refers not only to the text of Shakespeare but also to the plays in performance - suggesting how the actor's reading and interpretation lay bare the intentions of the playwright on the stage. |
Dentro del libro
Resultados 1-5 de 58
Página 15
... come . From his perspective , Jorge Luis Borges gives a succinct statement of Shakespeare's absence from his own text : " There was no one in him ; behind his face ( which even through the bad paintings of those times resembles no other ) ...
... come . From his perspective , Jorge Luis Borges gives a succinct statement of Shakespeare's absence from his own text : " There was no one in him ; behind his face ( which even through the bad paintings of those times resembles no other ) ...
Página 22
... comes with his hundred knights to en- force a claim to which he can not openly admit ? Gonerill's com- plaint of orgies among Lear's followers , bears a closer look . Here do you keep a hundred Knights and Squires , Men so disorder'd ...
... comes with his hundred knights to en- force a claim to which he can not openly admit ? Gonerill's com- plaint of orgies among Lear's followers , bears a closer look . Here do you keep a hundred Knights and Squires , Men so disorder'd ...
Página 24
... come in out of the " dreadful pudder " until he has stripped away his own concealments . To himself he addresses the cry : " Tremble thou Wretch , / That hast within thee undivulged Crimes / Unwhipped of Justice . Hide thee , thou ...
... come in out of the " dreadful pudder " until he has stripped away his own concealments . To himself he addresses the cry : " Tremble thou Wretch , / That hast within thee undivulged Crimes / Unwhipped of Justice . Hide thee , thou ...
Página 26
... comes a walking fire " ( FF.3.4 : 1894 ) , cries the Fool , referring to the torch the Earl holds in hand , but also to the " little fire , " of lechery within . In the stage masquerade , in which nakedness becomes the most effective ...
... comes a walking fire " ( FF.3.4 : 1894 ) , cries the Fool , referring to the torch the Earl holds in hand , but also to the " little fire , " of lechery within . In the stage masquerade , in which nakedness becomes the most effective ...
Página 28
... the play's first moments , exclusive possession of Cordelia's " kind nursery . " In Cordelia's eyes one sees tears , but , in Lear's voice , hears almost elation . No , no , no , no : come , 28 THE ABSENT SHAKESPEARE.
... the play's first moments , exclusive possession of Cordelia's " kind nursery . " In Cordelia's eyes one sees tears , but , in Lear's voice , hears almost elation . No , no , no , no : come , 28 THE ABSENT SHAKESPEARE.
Contenido
15 | |
19 | |
The Itch Revises | 33 |
Hamlets Father | 47 |
The Shadows Dance | 71 |
Macbeths Child | 99 |
What Prospero Knows | 125 |
Shakespeares Myth | 141 |
Notes | 147 |
Works Cited | 169 |
Index | 172 |
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Términos y frases comunes
action actor Alfred Harbage ambition anger anxiety audience Banquo begins Caliban calls child Claudius Claudius's conscience Cordelia court cries dark daughter dead death doth drama dream echo Edgar Edited Edmund erotic evil fantasy father fear Ferdinand flesh Folio Fool foul Gertrude Gertrude's Ghost Gloucester Gloucester's Gonerill grave Hamlet hath hear Heaven Hesiod Horatio husband incestuous innocent joke King Lear King's Lady Macbeth Laertes Laertes's latter Lear's lines look Lord Macduff madness magic mind Miranda mock mole mother murder nature never Oedipus Ophelia Osric Pillicock play playwright plot Polonius Prince Prince Hamlet Prince's Prospero question reality reference Regan remark revenge riddle scene Second Quarto seems sense sexual Shake Shakespeare sisters sleep soliloquy Sophocles speaks speech stage suggests suicide T. S. Eliot Tempest thee thou tion tragedy Urkowitz W. W. Greg wife William Shakespeare witches word
Pasajes populares
Página 50 - In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets...
Página 37 - Unhappy that I am, I cannot heave My heart into my mouth. I love your majesty According to my bond; nor more nor less.
Página 64 - Excitements of my reason and my blood, And let all sleep, while to my shame I see, The imminent death of twenty thousand men, That, for a fantasy and trick of fame, Go to their graves like beds...
Página 21 - Hear, Nature, hear ! dear goddess, hear ! Suspend thy purpose, if thou didst intend To make this creature fruitful ! Into her womb convey sterility ! Dry up in her the organs of increase, And from her derogate body never spring A babe to honour her...
Página 41 - ... twixt son and father. This villain of mine comes under the prediction; there's son against father. The King falls from bias of nature; there's father against child. We have seen the best of our time: machinations, hollowness, treachery, and all ruinous disorders, follow us disquietly to our graves.