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“ In making use of single altitudes for the above times, it became necessary to determine the error of collimation of the astronomical quadrant, the diameter of the wires and the distance between them, which occasioned a delay that prevented the observations being seasonably forwarded to Mr. Bowditch, to be inserted in his valuable memoir on this eclipse.”

Dr. O. W. Holmes presented the following communication « On the Use of Direct Light in Microscopic Researches,” and exhibited at the same time a model of a new horizontal microscope.

“ Three points require attention in constructing a compound microscope. First, the lenses; secondly, the illuminating apparatus ; thirdly, the mechanical arrangements for insuring stability in the requisite positions, and accuracy, ease, and convenience in the necessary movements.

“ The lenses have been brought to great perfection by the opticians of Europe, especially of England. In our own country, Mr. Spencer of Canastota has entered into successful competition with the most eminent among them. The extraordinary merits of his lenses have been manifested in various comparative trials, the results of some of which have been made public. In a short visit I recently made to Canastota, I carried with me the one-eighth and one-twelfth objectives belonging to the instrument made by Ross for the Lowell Institute, the use of which objectives had been kindly allowed me by the Curator. In a careful comparison of them with a one-fourth and one-eighth made by Mr. Spencer, especially on the delicate tests Navicula Spencerii and Grammatophora, the superiority of Mr. Spencer's glasses was unquestionable.

“ Next in importance to the perfection of the lenses, and even more important, in Sir David Brewster's opinion, is that of the illuminating apparatus. The greater number of recently attempted improvements relate to this part of the instrument. Many of the new contrivances are expensive, complicated, and somewhat difficult of management. If the same or better results can be obtained by easier means, it would be a movement in the right direction, which is always from complexity towards simplicity.

“The common mode of examining opaque objects is to receive the light directly upon them as it comes from its source, or concentrate it upon them by a lens. The use of a reflector for examining is less frequently resorted to.

“ But in examining transparent or translucent objects, which are to be seen by transmitted light, and which constitute by far the most important class of objects for study with the higher powers, it is usual to employ reflected light; a mirror, plane or concave, being commonly used for this purpose. The earlier microscopists often used direct light, sometimes pointing their tubes to the sky, sometimes employing a lamp, as in the instrument of Phllip Bonnani, figured by Chevalier and by Quekett, in their Treatises on the Microscope. Both these authors mention the use of direct light, and give figures of the method of employing it; Chevalier representing a candle, and Quekett an Argand lamp, as the source of illumination. Many very delicate objects are said by the latter author to be seen to the greatest advantage by this kind of light. A late writer in Silliman's Journal recommends its use in instituting comparisons between different lenses. It was used by Mr. Spencer in the trial of instruments I have referred to, he holding in his hand a common lamp, with one wick picked down, behind the stage, while we examined various objects with the higher powers.

“ The fact, that so simple a method of illumination proved sufficient to define very delicate tests, led me to make trial of direct light as a substitute for other methods. But none of the instruments made at present being well adapted for its employment, I was led to contrive the new model, which I now offer for the examination of the Academy, and a figure of which accompanies this communication. This instrument is constructed with particular reference to dispensing with all reflectors, but can be used with excellent effect with a prism, when the light of the sky cannot be otherwise conveniently reached, as at a window opening on a narrow street. The mirror, with its two reflecting surfaces, glass and quicksilver, is got rid of, and with it several sources of error and imperfection are removed.

“ The points I kept in view in the construction of this instrument were these : a fixed horizontal position ; to dispense with machinery as far as possible ; to employ the cheapest material.

“ Direct light requires a vertical stage ; a vertical stage implies a horizontal tube, and permits the use of a horizontal support for all illuminating contrivances. The power of gravity is therefore substituted for the ordinary adjustments of the parts above and below the stage. It is an easy matter to arrange a service of plate in all positions and relations on a table, as it commonly stands, but not so if it is inclined at an angle of forty-five degrees, or placed vertically. In this model every thing is kept in its place by gravity, except the object, which is very easily supported and adjusted without any particular mechanism. The moment the fixed horizontal position is given up, the simplicity of the instrument is gone. Thus the second principle, dispensing with machinery, is carried out by adhering to the first. To fulfil the third condition, that of employing the cheapest materials, it was necessary to make use of various substances for the different parts of the instrument. A piece of leaden pipe was fitted to hold the eye-glass and objectives ; the latter being adapted by the bayonet joint of Chevalier. Its weight was of advantage in keeping it in its place. The rest of the instrument was made of wood, except the tripod, which was of iron, and the lever, diaphragm, screw, and springs, which were of brass. All the details will be described in connection with the figure.

.“ The following considerations determined some of the principal dimensions. When a person sits before a common table, the eye, when directed straight forward, is about eighteen or nineteen inches above it. This determines the height of the eye-piece and tube. To bring the hands to the height of the eye, with the elbows resting, the elbows must be raised about three inches above the table. This determines the height of the platform on which the whole rests. Eighteen inches will give width enough for the separation of the elbows. The tube being about eight inches long, which is a common length for microscopic bodies, the pieces on which it rests may be each of them an

inch shorter. The common length of the English glass slides being three inches, the stage must be five inches wide, to admit of their moving about freely. From these dimensions several of the others are naturally derived.

On looking at the woodcut, it will be seen that the whole instrument is supported on an oblong square platform, the dimensions of which are 18 X 10 X 3. On this is placed a revolving disk, eight

inches in diameter, fitting upon a Te boli odbin s pin in the centre of the frame. ste est L o w hory A tripod, the legs of which are

screwed to this disk, rises from it; the two together giving a height of twelve inches from the top of the platform. The upper portion of this tripod is a flat ring, four inches in diameter. To this is screwed an oblong square of wood, seven inches in length by four in breadth and one and a half in thickness, which we may call the bed. In the middle of this bed is an angular groove, to which a lining of thick tinfoil is accurately pasted or glued. In this angular groove slides a piece of pine of the same length; with a rounded groove on its upper surface, carrying the tube, and which may be called the cradle. Its width is an inch and a half, and its upper surface one inch above that of the piece on which it rests. The stage is five inches broad by four in height and one fourth of an inch thick, secured firmly to the end of the bed. A round hole in its centre, three fourths of an inch in diameter, is centred with the end of the tube, and bevelled half an inch outward on the side toward the light, to allow greater obliquity of illumination. The shelf supporting the lamp is five inches square, and is supported by two stout pins received in two holes passing through the lower part of the stage into the end of the bed, so as to be easily removed for packing. A strong wire, two inches and a half long, is soldered to the middle of each side of the tube at right angles. By these wires the tube is slid backward and forward in the cradle, form. ing the coarse adjustment. A brass spiral spring is fastened in the anterior end of the groove in the bed. The short arm of the lever, (the long arm of which, seen in the woodcut, is moved by the screw below,) passing through a hole in the middle of the bed into a notch in the under part of the cradle, presses the cradle against the spiral spring. The whole length of the lever is twelve inches, that of the short arm three fourths of an inch, giving a ratio of one to fifteen in the two arms. The screw, which plays in a brass nut, has sixteen threads to the inch, so that one revolution moves the cradle and tube one two-hundred-and-fortieth of an inch. This is the fine adjustment. The head of the screw, two inches in diameter, is not milled, but scalloped, so that the forefinger lies easily in the hollows, and turns it either way. The stage being an inch wider than the bed, gives room on each side for the attachment of a flat brass spring, serving to hold the object-plate against the stage, at the same time permitting it to be moved freely in every direction. The object-plate itself is of brass, eight inches long by an inch and three quarters wide, with a hole three fourths of an inch in diameter in its centre, and below the hole a ledge

VOL. 11,

two inches long, with two small springs to hold the glass slide on which the object is placed. The diaphragm is three inches in diameter, and is let into the stage, so as to be close behind the object-plate without touching it.

“ The lamp is of an oblong square form, three inches in length, one and a half in width, one in depth, and fits snugly in a square box, with two wires, each three inches long, projecting from its extremities. The wick-tube, which is made small, to insure a bright flame, is close to the edge at the middle of one side ; opposite to it is a slide, running up and down, and receiving an objective, by means of the common bayonet joint, to be used as an achromatic condenser. If the lamp flickers, it is guarded by a piece of tin four inches in height, bent to form three fourths of a circle three inches in diameter, and blackened on the inside. Two bent pieces of wire, driven into the end of the bed next the observer, serve to hold a hood or shade made of four pieces of thin board covered with black velvet, the top and sides turning down so as to shut out the light, the central piece cut in such a way as not to touch the tube or the cradle, which is its principal difference from that of Mr. Lister, as described by Quekett.

“ To use the instrument, the elbows are rested on the platform, when all the preliminary arrangements are found close to the hands. The coarse adjustment is made, the object brought into position, the light arranged, with a precision that no machinery can surpass, because both the arms and hands are perfectly steadied. If the diaphragm is wanted, it may be easily reached with the fingers. Lastly, the fine adjustment is made by dropping one hand to the screw, and twirling its head back or forward with a single finger. If achromatic light is wanted, it is always ready; it is only necessary to turn the lamp half round, and bring the objective so as to illuminate the object to the best advantage. The intensity and obliquity both of common and achromatic light are variable to any extent with the same facility, by moving the lamp back and forward, or from side to side. None of the ordinary arrangements of microscopes admit of using oblique achromatic light efficiently and conveniently, if they allow it at all.

“ If it is required to use this microscope by daylight, a small prism is placed directly before the hole in the stage, or the achromatic condenser, and turned until the proper illumination is obtained. To make the light oblique, the disk carrying the tripod is revolved on the platform.

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