Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumen56Gale Research Company, 1984 |
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Página 32
... audience believed , Tillyard's system nonetheless helps us to understand how they believed . The mirror - scenes and verbal anticipations and echoes that animate Shakespeare's plays were used by his contemporaries as well ; the tendency ...
... audience believed , Tillyard's system nonetheless helps us to understand how they believed . The mirror - scenes and verbal anticipations and echoes that animate Shakespeare's plays were used by his contemporaries as well ; the tendency ...
Página 34
... audience . Here the challenge is not latent in the play's design ( as in Richard II and I Henry IV ) or engaged primarily by a character ( as in 2 Henry IV ) , but is explicitly thrown into the spectator's lap . The prologue's demand ...
... audience . Here the challenge is not latent in the play's design ( as in Richard II and I Henry IV ) or engaged primarily by a character ( as in 2 Henry IV ) , but is explicitly thrown into the spectator's lap . The prologue's demand ...
Página 390
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 King Lear 19 : 295 ; 28 : 325 Richard II 24 : 414 , 423 ; 39 : 295 Pericles 42 : 352 ; 48 ...
... audience interpretation Julius Caesar 48 : 240 audience perception The Comedy of Errors 1 : 37 , 50 , 56 ; 19 : 54 ; 34 : 258 ; 54 : 136 , 144 King Lear 19 : 295 ; 28 : 325 Richard II 24 : 414 , 423 ; 39 : 295 Pericles 42 : 352 ; 48 ...
Contenido
Shakespeares Representation of History | 1 |
Henry VI Parts 1 2 and 3 | 76 |
Henry VIII | 195 |
Derechos de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumen28 Vista de fragmentos - 1984 |
Términos y frases comunes
action Alfred Harbage argues audience Buckingham Cade's Cambridge characters chronicles claim Clifford comic Cranmer critics death dramatic dramatist Duke E. M. W. Tillyard Edward Elizabeth Elizabethan England English Reformation essay Falstaff father Glendower Gloucester Gloucester's Hal's Henry IV Henry VI plays Henry VIII Henry's heroic historians historiography history plays Holinshed Hotspur interpretation Jack Cade Joan John Katherine King Henry king's L. C. Knights Lancastrian lines London Lord Margaret meaning ment moral Mortimer noble pageant past play's political present Prince providential Queen rebellion rebels Reformation reign Renaissance revenge rhetorical Richard Richard II Salisbury scene sequence Shake Shakespeare Shakespeare's Henry Shakespeare's Histories social Somerset sources speare speare's spectacle speech stage structure Suffolk suggests Talbot Tamburlaine tetralogy theater theatrical thou throne Tillyard tion tradition tragedy treason true truth Tudor Tudor myth University Press Warwick Welsh William Shakespeare Wolsey words York York's Yorkist