Praying Twice: The Music and Words of Congregational SongWestminster John Knox Press, 2000 M06 1 - 422 páginas In this in depth look at hymns, Brian Wren explores the theological significance of congregational song, asks how music has meaning for its singers, and considers the importance of contemporary worship music. He argues that a hymn is a complex art form, deserving of recognition and study for its contributions to worship, education, and pastoral care. |
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Página vii
... Change . Focuses on the technological issues behind , and around , lyrics and music . Wilson - Dickson , Andrew . The Story of Christian Music : From Gregorian Chant to Black Gospel . An Authoritative Illustrated Guide to All the Major ...
... Change . Focuses on the technological issues behind , and around , lyrics and music . Wilson - Dickson , Andrew . The Story of Christian Music : From Gregorian Chant to Black Gospel . An Authoritative Illustrated Guide to All the Major ...
Página 20
... Change , pp . 40–49 . years 25. 1450 : Gutenberg's press starts production ; 1466 : first German Bible , seventeen before Luther's birth ( biblical literacy begins well before the Reformation ) ; by 1490 , Germany has a thousand or more ...
... Change , pp . 40–49 . years 25. 1450 : Gutenberg's press starts production ; 1466 : first German Bible , seventeen before Luther's birth ( biblical literacy begins well before the Reformation ) ; by 1490 , Germany has a thousand or more ...
Página 53
... changes , she asks how teachers can work with college students " who want to sing but have no realization that reading music is a skill that takes practice . ” 17 To 15. Westermeyer , " The Future of Congregational Song . " 16 ...
... changes , she asks how teachers can work with college students " who want to sing but have no realization that reading music is a skill that takes practice . ” 17 To 15. Westermeyer , " The Future of Congregational Song . " 16 ...
Página 54
... changes pitch between the two syllables , or even within the same syllable . The pitch , loudness , and relative length of the syllables change according to the kind of " hello " I am saying : delighted , surprised , astounded ...
... changes pitch between the two syllables , or even within the same syllable . The pitch , loudness , and relative length of the syllables change according to the kind of " hello " I am saying : delighted , surprised , astounded ...
Página 55
... changes of pitch become deliberate , measured , and often cover a wider range . 19 If ( for exam- ple ) my " hel - lo " has two notes forming a major third , each note has a continuous sound called a " tone . " By contrast with sound ...
... changes of pitch become deliberate , measured , and often cover a wider range . 19 If ( for exam- ple ) my " hel - lo " has two notes forming a major third , each note has a continuous sound called a " tone . " By contrast with sound ...
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Términos y frases comunes
African American Alleluia alteration American angels sing Bible biblical bless Brian Wren Carol Stream Century Hymnal Chalice Hymnal changes chant Charles Wesley choir choruses Christian church music classic congregational song contemporary worship music culture divine earth emotional English evangelical example express faith follows Fred Pratt Green genres give glory God's gospel hear heart heaven Holy Hope Publishing Company human Hustad hymn lyrics Hymnody Ibid Isaac Watts Israel Jesus Christ Jourdain King language listen liturgical live Lord meaning melody metaphor move musicians pastor peace phrase poem popular music praise prayer Presbyterian Hymnal psalms Ramshaw refrain repetition response revision rhyme rhythm rights reserved scripture singers social sound speech Spirit stanza story sung syllable Taizé Tex Sample thanksgiving theme theology tion tradition tune United Methodist Hymnal viewpoint visual vocal voice Watts's Wesley Westermeyer words worship music writing