Praying Twice: The Music and Words of Congregational SongWestminster John Knox Press, 2000 M06 1 - 422 páginas In this in depth look at hymns, Brian Wren explores the theological significance of congregational song, asks how music has meaning for its singers, and considers the importance of contemporary worship music. He argues that a hymn is a complex art form, deserving of recognition and study for its contributions to worship, education, and pastoral care. |
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Página 6
... Sometimes he prays before singing a solo , asking God to touch the hearts of those who listen . Often he pauses at the end of a phrase , to make sure the meaning has struck home . The songs sound modern : like the music - hall songs his ...
... Sometimes he prays before singing a solo , asking God to touch the hearts of those who listen . Often he pauses at the end of a phrase , to make sure the meaning has struck home . The songs sound modern : like the music - hall songs his ...
Página 17
... Sometimes he has to be carried to church . Though he now has unquestioned authority in the affairs of church and city , he claims no special privileges , and lives like any other pastor . The church is plain and unadorned , the service ...
... Sometimes he has to be carried to church . Though he now has unquestioned authority in the affairs of church and city , he claims no special privileges , and lives like any other pastor . The church is plain and unadorned , the service ...
Página 25
... sometimes credited as the author of two Latin poems , “ Dulcis Jesus memoria ” and “ Salve caput cruentatum , " from which derive the English hymns " Jesus the Very Thought of Thee " ( Edward Caswall ) and " O Sacred Head , Sore Wounded ...
... sometimes credited as the author of two Latin poems , “ Dulcis Jesus memoria ” and “ Salve caput cruentatum , " from which derive the English hymns " Jesus the Very Thought of Thee " ( Edward Caswall ) and " O Sacred Head , Sore Wounded ...
Página 26
... sometimes flanked by columns , leading to the apse . Before Constantine , Christian house churches had room for fifty , seventy , or at most a hundred people . Basilicas can accommodate a thousand or more . As the sun peeps above the ...
... sometimes flanked by columns , leading to the apse . Before Constantine , Christian house churches had room for fifty , seventy , or at most a hundred people . Basilicas can accommodate a thousand or more . As the sun peeps above the ...
Página 40
... sometimes touched with passion , joy , or sorrow ; never declamatory or ecstatic . He ends , to a chorus of amens , stands , and walks back to his seat in the congregation . From her place in the congregation , a woman chants a psalm ...
... sometimes touched with passion , joy , or sorrow ; never declamatory or ecstatic . He ends , to a chorus of amens , stands , and walks back to his seat in the congregation . From her place in the congregation , a woman chants a psalm ...
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Términos y frases comunes
African American Alleluia alteration American angels sing Bible biblical bless Brian Wren Carol Stream Century Hymnal Chalice Hymnal changes chant Charles Wesley choir choruses Christian church music classic congregational song contemporary worship music culture divine earth emotional English evangelical example express faith follows Fred Pratt Green genres give glory God's gospel hear heart heaven Holy Hope Publishing Company human Hustad hymn lyrics Hymnody Ibid Isaac Watts Israel Jesus Christ Jourdain King language listen liturgical live Lord meaning melody metaphor move musicians pastor peace phrase poem popular music praise prayer Presbyterian Hymnal psalms Ramshaw refrain repetition response revision rhyme rhythm rights reserved scripture singers social sound speech Spirit stanza story sung syllable Taizé Tex Sample thanksgiving theme theology tion tradition tune United Methodist Hymnal viewpoint visual vocal voice Watts's Wesley Westermeyer words worship music writing