Rhetoric, Literature, and InterpretationHarry Raphael Garvin Bucknell University Press, 1983 - 184 páginas In what sense does the literary critic exist in his own right, and in what way does his role go beyond that of the teacher, mystic, philologist, historian, philosopher, rhetorician, and literary artist? This issue of the Bucknell Review focuses on the opposition of rhetoric and interpretation, presenting essays which explore the problems and possibilities critics confront when they adopt either interpretation or rhetoric as a critical starting point. Illustrated. |
Contenido
19 | |
Hermeneutics from Gadamer to Poeggeler | 48 |
The Case of HD | 65 |
The Hypocritic and the Poet | 80 |
The Economics of the Literary Text | 97 |
Notes toward a Marxist Rhetoric | 126 |
Literature Rhetoric Interpretation | 149 |
The Power of Nothing in Women in Love | 151 |
Pragmatics in Wonderland | 165 |
Términos y frases comunes
Adam and Eve Alice Alice's Althusser Althusser's Apel argues artist becomes Birkin claims conception constitution conversational create creature criticism critique cultural D. H. Lawrence deconstruction dialectic discourse Duncan's economic essay falconress female Foucault Frankenstein Fredric Jameson Freudian Gadamer Georg Lukács Heintel hermeneutical understanding hermeneutics historically effective consciousness human human sexuality Ibid Ideological State Apparatuses ideology illocutionary act interpretation irony Jameson language Lawrence literary text Literature logic Luke male mantic phenomenology Marx Marxist Mary Shelley mediating meneutical metaphor Michael Milton mode Monster mother myth nature negative face Paradise Lost patriarchal creator patriarchal mythos Percy Shelley phenomenology Poeggeler poem poet poetic poetry political positive face pragmatic prejudgments problem psychoanalytic question reader reading relation revolutionary rhetorical role Romantics scientific sense sexual Shelley's Shoshana Felman signifying speech-act structure syntactic theoretical theory thought tion tradition trans trope University Press Women in Love words
Pasajes populares
Página 27 - Aonian mount, while it pursues Things unattempted yet in prose or rhyme. And chiefly Thou, O Spirit, that dost prefer Before all temples the upright heart and pure, Instruct me, for Thou know'st ; Thou from the first Wast present, and with mighty wings outspread Dovelike satst brooding on the vast abyss...
Página 23 - Milton's Devil as a moral being is as far superior to his God, as one who perseveres in some purpose which he has conceived to be excellent in spite of adversity and torture, is to one who in the cold security of undoubted triumph inflicts the most horrible revenge upon his enemy, not from any mistaken notion of inducing him to repent of a perseverance in enmity, but with the alleged design of exasperating him to deserve new torments.
Página 23 - The only imaginary being resembling in any degree Prometheus, is Satan; and Prometheus is, in my judgement, a more poetical character than Satan, because, in addition to courage, and majesty, and firm and patient opposition to omnipotent force...