Penguin, 1967 - 200 páginas
In its concentration of interest upon the protagonists, Macbeth can be seen as Shakespeare's experiment in unity of focus, whose chief appeal arises from the struggles of the central characters with each other and with the infernal powers that inspire or govern them. Over the centuries, the vision of directors like Welles, Nunn and Polanski, as well as the eloquent talents of actors like Garrick, Siddons, Olivier and McKellen have contributed to the central debate of the play: Who or what is culpable? Bernice W. Kliman, in her analysis of Macbeth in performance, examines major productions of the play on both stage and screen, thereby inviting the reader to contemplate directors' and actors' choices for what is arguably Shakespeare's most compelling play.
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action appears Banquo blood called Cawdor clear comes contrast court dare dead death deed DOCTOR doubt Duncan England Enter evil Exeunt Exit eyes face fall father fear fight Folio follow friends Ghost give grace hand hath hear heart heaven Hecat hold honour hope human keep King Knock Lady Macbeth leave LENNOX less lives look lord MACDUFF MALCOLM means mind moral move murder nature night noble once Penguin performance play poor present printed referred ROSS royal scene Scotland SECOND seems seen sense Servant SEYWARD Shake Shakespeare sleep social song speak speech spirits stage direction stand strange suggestion tell Thane thee There's things THIRD thou thought true turn whole wife Witches write young
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