Musée de peinture et de sculpture, ou Recueil des principaux tableaux, statues et bas-reliefs des collections publiques et particulières de L'Europe, Volumen9Audot, 1830 |
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... CRITICAL , AND HISTORICAL NOTICES BY DUCHESNE SENIOR . VOLUME IX . LONDON : TO BE HAD AT THE PRINCIPAL BOOKSELLERS AND PRINTSHOPS . 1830 . 1508 PARIS . 1 PRINTED BY FAIN , Rue Racine MUSEUM VOLUME IX. ...
... CRITICAL , AND HISTORICAL NOTICES BY DUCHESNE SENIOR . VOLUME IX . LONDON : TO BE HAD AT THE PRINCIPAL BOOKSELLERS AND PRINTSHOPS . 1830 . 1508 PARIS . 1 PRINTED BY FAIN , Rue Racine MUSEUM VOLUME IX. ...
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... HISTORICAL AND CRITICAL NOTICE OF ANTONIO ALLEGRI , CALLED ,. 613 Galathée . Rome . ETC. 615 Jugement dernier . 103 616 La chaumière . 617 Léonidas . 618 Bacchus . 7619 La Vierge au sac . 620 La Vierge et l'Enfant Jésus . 621 Les paysans ...
... HISTORICAL AND CRITICAL NOTICE OF ANTONIO ALLEGRI , CALLED ,. 613 Galathée . Rome . ETC. 615 Jugement dernier . 103 616 La chaumière . 617 Léonidas . 618 Bacchus . 7619 La Vierge au sac . 620 La Vierge et l'Enfant Jésus . 621 Les paysans ...
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HISTORICAL AND CRITICAL NOTICE OF ANTONIO ALLEGRI , CALLED , CORREGGIO . If Raphael's name is mentioned preferably to those of other painters , it is merely because he reached , in every part of painting , a remarkable degree of ...
HISTORICAL AND CRITICAL NOTICE OF ANTONIO ALLEGRI , CALLED , CORREGGIO . If Raphael's name is mentioned preferably to those of other painters , it is merely because he reached , in every part of painting , a remarkable degree of ...
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HISTORICAL AND CRITICAL NOTICE uncles , named Lorenzo , and that he also had assistance from Francesco Mantegna , the son of the celebrated Andrea , who died in the year 1506 , and whose pupil , for this reason , he cannot be considered ...
HISTORICAL AND CRITICAL NOTICE uncles , named Lorenzo , and that he also had assistance from Francesco Mantegna , the son of the celebrated Andrea , who died in the year 1506 , and whose pupil , for this reason , he cannot be considered ...
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... work would have been the painter's master - piece , had he not surpassed it , in that of the dome of the Parma Cathedral , representing the IV HISTORICAL AND CRITICAL NOTICE Assumption of the Virgin , OF ANTONIO ALLEGRI .
... work would have been the painter's master - piece , had he not surpassed it , in that of the dome of the Parma Cathedral , representing the IV HISTORICAL AND CRITICAL NOTICE Assumption of the Virgin , OF ANTONIO ALLEGRI .