Teaching with Shakespeare: Critics in the ClassroomBruce McIver, Ruth Stevenson University of Delaware Press, 1994 - 269 páginas "Today the number and nature of interpretive strategies developed by contemporary theorists for reading Shakespeare's texts may not only delight but also disconcert the scholars, critics, teachers, and students who study them. In this work, six leading Shakespearean scholar-critics, in a series of clear and elegant lectures delivered to undergraduate English majors, explain distinctive procedures that they and other influential, contemporary critics use for interpreting Shakespeare's poems and plays. Workshops, which illustrate with Shakespearean texts the practice of specific methods, follow the lectures." "Helen Vendler (Harvard) guides readers to Shakespeare's poetry by explaining and illustrating how to hear the unexpected and unobtrusive but crucial questions that sonnets pose, and by tracing the increasingly powerful perceptions that precise, informed aesthetic responses to these questions evoke. R. A. Foakes (UCLA) identifies basic cultural issues underlying traditional approaches to teaching Shakespeare's plays, especially the tragedies, and explains how poststructuralist responses to these issues lead to a reevaluation of the "Bard." Leah Marcus (U. Texas, Austin) also explains cultural issues, particularly about the "construct" that has become "Shakespeare," and introduces editorial questions about the actual textual versions offered to students, notably of Hamlet and King Lear. With emphasis on the plays in performance, John Wilders (Oxford, Middlebury) delivers a structure-oriented, acting-centered analysis of Julius Caesar and then directs, in similar fashion, a production of the first scene of A Midsummer Night's Dream. Patricia Parker (Stanford), on the other hand, follows intricate lines of wordplay through a series of deconstructions and reconstructions in The Merry Wives of Windsor and A Midsummer Night's Dream. Bringing the series to a close, Annabel Patterson (Duke) presents an explicitly issue-oriented analysis of editorial, critical, scholarly, dramatic, and cinematic interpretations of Henry V; and she offers a concluding commentary on the workshops of her colleagues."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved |
Dentro del libro
Resultados 1-5 de 53
Página 7
... Hamlet and King Lear 115 Textual versions of " To be or not to be " 116 Parallel texts of King Lear 3.3 117 LEAH MARCUS Dramatic Structure and Effect in Julius Caesar 142 Teaching A Midsummer Night's Dream 152 A Midsummer Night's Dream ...
... Hamlet and King Lear 115 Textual versions of " To be or not to be " 116 Parallel texts of King Lear 3.3 117 LEAH MARCUS Dramatic Structure and Effect in Julius Caesar 142 Teaching A Midsummer Night's Dream 152 A Midsummer Night's Dream ...
Página 15
... Hamlet he skillfully exposed the limitations of determinate , unified , and ultimately , if indirect- ly , political interpretations of the play . In the spirit of poststructuralism , he directly encouraged the students to question ...
... Hamlet he skillfully exposed the limitations of determinate , unified , and ultimately , if indirect- ly , political interpretations of the play . In the spirit of poststructuralism , he directly encouraged the students to question ...
Página 16
... Hamlet and Lear for the students to interpret from as many angles as possible . As she conversed with the students ... Hamlet's soliloquy presents a less certain view of the afterlife in 16 INTRODUCTION.
... Hamlet and Lear for the students to interpret from as many angles as possible . As she conversed with the students ... Hamlet's soliloquy presents a less certain view of the afterlife in 16 INTRODUCTION.
Página 26
... Hamlet as we do not , I think , to Chaucer's Troilus . And yet , the Renaissance is very far from us , and we are perhaps deluded in thinking it close . To work on Shakespeare's sonnets was to ask myself what questions these remote and ...
... Hamlet as we do not , I think , to Chaucer's Troilus . And yet , the Renaissance is very far from us , and we are perhaps deluded in thinking it close . To work on Shakespeare's sonnets was to ask myself what questions these remote and ...
Página 61
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
23 | |
V | 37 |
VI | 57 |
VII | 60 |
VIII | 78 |
IX | 94 |
X | 98 |
XI | 115 |
XVII | 166 |
XVIII | 205 |
XIX | 215 |
XX | 217 |
XXI | 222 |
XXII | 236 |
XXIII | 250 |
XXIV | 252 |
Otras ediciones - Ver todas
Teaching with Shakespeare: Critics in the Classroom Bruce McIver,Ruth Stevenson Vista de fragmentos - 1994 |
Teaching with Shakespeare: Critics in the Classroom Bruce McIver,Ruth Stevenson Sin vista previa disponible - 1994 |
Términos y frases comunes
actors adjectives audience battle of Agincourt bliss Branagh Caesar called character classroom context conveying Cordelia cozening critical cultural cultural materialists death Demetrius disestablishing doth Dover Wilson dramatic Duke edition Elizabethan English Evans extreme Falstaff father feel figure film Foakes Folio version French Germans Goneril Grammar Scene Hamlet hath haue Helen Vendler Henry Hermia interpretation Kenneth Branagh Kent kind King Lear language Latin Lear's literary London look Lord lovers lust Lysander Marcus mean Merry Wives Midsummer Night's Dream Mistress mora night Ovid Oxford play's plot poem poststructuralist Pyramus Pyramus and Thisbe Quarto version quatrain question Regan Renaissance revenge sense Shakespeare's plays Shakespeare's sonnets soliloquy sonnet speak speech stage Teaching Shakespeare textual theater thee there's Theseus thing Thisby Thisby's thou tion tradition translation University Press Vendler wall women wordplay words workshop