Shakespeare's History Plays: Richard II to Henry V, the Making of a King: From Richard II to Henry VHumanities-Ebooks, 1972 M01 1 - 162 páginas Part I examines the context for Shakespeare's history plays, including the a treatment of Elizabethan cosmology and its relevance to political order. Part 2 explores the 'Ricardian' plays, under the following headings: Mirrors of our Fickle State; Hawks and Handsaws: Modes and Genres of the Plays; This Blessed Plot: Husbandry and the Garden; Passing Brave to be a King: Richard II; This Royal Throne of Kings: Henry IV, parts 1 and 2; This Sceptred Isle: Henry V; A Trim Reckoning: Language, Poetics and Rhetoric. |
Dentro del libro
Resultados 1-5 de 13
Página
... isnot the samecountry as the one we live in, and we needmaps.I felt there was a needfora book ofmanageable size which would gatherin one place at an accessible leveltheessential background knowledgeabout the thought, the values and the ...
... isnot the samecountry as the one we live in, and we needmaps.I felt there was a needfora book ofmanageable size which would gatherin one place at an accessible leveltheessential background knowledgeabout the thought, the values and the ...
Página
... isnot Shakespeare's onlymagus; Glendower hints he isone,and Hotspur is scornful (1 Henry IV, 3.1.5O ff.). Hotspur's scorn is the more discourteous if we accept, as the first audience would have done, that there really were such magi ...
... isnot Shakespeare's onlymagus; Glendower hints he isone,and Hotspur is scornful (1 Henry IV, 3.1.5O ff.). Hotspur's scorn is the more discourteous if we accept, as the first audience would have done, that there really were such magi ...
Página
... isnot to be mistaken for reality. He appears movedbyit, so thatthe observer sees real tearsand allthe signsof real feeling, andbegins to sympathize with those feelings. Butthe actor is notmoved; heis employing his art,and is pleased ...
... isnot to be mistaken for reality. He appears movedbyit, so thatthe observer sees real tearsand allthe signsof real feeling, andbegins to sympathize with those feelings. Butthe actor is notmoved; heis employing his art,and is pleased ...
Página
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Página
Alcanzaste el límite de visualización de este libro.
Alcanzaste el límite de visualización de este libro.
Contenido
A The Modeland its Consequences B The New Philosophy 3 Actors on the Scaffold | |
The RicardianHistory Plays | |
Husbandryand | |
Richard | |
HenryIV parts 1and | |
HenryV 11 A Trim Reckoning Language Poetics | |
Otras ediciones - Ver todas
Shakespeare's History Plays: Richard II to Henry V, the Making of a King C W R D Moseley Vista previa limitada - 2010 |
Shakespeare's History Plays: Richard II to Henry V, the Making of a King ... Charles W. R. D. Moseley Vista previa limitada - 2009 |
Shakespeare's History Plays: Richard II to Henry V : the Making of a King Charles W. R. D. Moseley Vista de fragmentos - 1988 |
Términos y frases comunes
action actors allthe andthe Aristotle Aristotle’s atthe audience audience’s Bolingbroke butalso Butthe bythe century character clearly complex concept crown death discussion drama Eastcheap effects Elizabethan Elizabethan theatre England English example fall Falstaff father Fluellen fourplays garden Georgics God’s Hal’s Hamlet Heaven hehas heis Henry Henry IV plays Henry’s HenryIV history plays honour Hotspur human idea imagery implies important inHenry inhis inthe isnot issues isthe itis John judgement Julius Caesar justice king King Lear king’s kingship language Lear look Lord Macbeth macrocosm and microcosm man’s metaphor monarch moral nature Northumberland ofhis ofthe Oldcastle onthe Pistol planets poetry political prince reality recognized Renaissance responsibility rhetoric Richard Richard II RichardII role ruler scene serious Shakespeare speech stage suggests symbolic Tamburlaine thatthe theatre theaudience theplay theworld things thought throne tobe tothe tragedy underlines understanding Virgil’s visual withthe words