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motion and gravitation of matter, with the like particulars, were laid together, and formed into a kind of creed according to the opinions of the most celebrated atheists; I say, supposing such a creed as this were formed and imposed upon any one people in the world, whether it would not require an infinitely greater measure of faith than any set of articles which they so violently oppose? Spectator, N° 168.

Concluding Series.

Our lives, says Seneca, are spent either in doing nothing at all, or in doing nothing to the purpose, or in doing nothing that we ought to do. Ibid. N° 93.

It was necessary for the world that arts should be invented and improved, books written, and transmitted to postérity, nations conquered and civilised. Ibid. N° 255.

All other acts of perpetuating our ideas, except writing or printing, continue but a short time: statues can last but a few thousands of years, edifices féwer, and colours still fewer than édifices. Ibid. N° 166.

This persuasion of the truth of the Gospel, without the evidence which accompanies it, would not have been so firm and so durable; it would not have acquired new force with age, it would not have resisted the torrent of tíme, and have passed from age to age to our own dàys.

Life consists, not of a series of illustrious actions, or elegant enjoyments; the greater part of our time passes in compliance with necessities, in the performance of daily duties, -in the removal of small inconvéniences, in the procurement of petty pleasures. Johnson.

A man has frequent opportunities of mitigating the fierceness of a party, of doing justice to the character of a deserving màn, of softening the envious, quieting the angry, and rectifying the prejudiced; which are all of them employments suited to a reasonable nature, and bring great satisfaction to the person who can busy himself in them with discretion.

Spectator.

Though we seem grieved at the shortness of life in general, we are wishing every period of it at an end. The minor longs to be at age, then to be a man of businesss, then to make up an estate, then to arrive at hónours, then to retire. Ibid. N° 93,

There is no blessing of life comparable to the enjoyment of a discreet and virtuous friend. It eases and unloads the mind, clears and improves the understanding, engenders thoughts and knowledge, animates virtue and good resólutions, and finds employment for the most vacant hours of life. Spectator, N° 93.

The devout man does not only believe, but feels there is a Deity; he has actual sensations of him; his experience concurs with his reason; he sees him more and more in all his intercourses with him; and even in this life almost loses his faith in conviction.. Ibid. N° 465.

The ill-natured man, though but of equal parts with the good-natured man, gives himself a larger field to expàtiate in; he exposes those failings in human nature which the other would cast a veil over, laughs at vices which the other either excuses or conceals, falls indifferently upon friends or enemies, exposes the person who has obliged him, and, in short, sticks at nothing that may establish his character of a wit. Ibid. N° 169.

For what can interrupt the content of the fair sex, upon whom one age has laboured after another to confer honours and accumulate immunities? those, to whom rudeness is infamy, and insult is cowardice? whose eye commands the brave, and whose smile softens the sevère? whom the sailor travels to adorn, the soldier bleeds to defend, and the poet wears out life to celebrate; who claim tribute from every art and science, and for whom all who approach them endeavour to multiply. delights, without requiring from them any return but willingness to be pleased. Johnson

Nature has laid out all her art in beautifying the face; she has touched it with vermilion, planted in it a double row of ivory, made it the seat of smiles and blushes, lighted it up and enlivened it with the brightness of the eyes, hung it on each side with curious organs of sense, given it airs and graces that cannot be described, and surrounded it with such a flowing shade of hair, as sets all its beauties in the most agreeable light. Spectator, N° 98.

Nothing is more pleasant to the fancy, than to enlarge itself by degrees, in its contemplation of the various proportions which its several objects bear to each other, when it compares the body of man to the bulk of the whole earth, the earth to the circle it describes round the sun, that circle to the sphere of the fixed stars, the sphere of the fixed stars to the circuit of the whole creation, the whole creation itself to

the infinite space that is every-where diffused about it: or when the imagination works downward, and considers the bulk of a human body in respect of an animal a hundred times less than a mite, the particular limbs of such an animal, the different springs which actuate the limbs, the spirits which set these springs a-going, and the proportionable minuteness of these several parts, before they have arrived at their full growth and perfection. Spectator, N° 420.

Should the greater part of people sit down and draw up a particular account of their time, what a shameful bill would it be! So much in eating and drinking and sleeping, beyond what nature requires; so much in revelling and wantonness; so much for the recovery of last night's intemperance; so much in gaming, plays, and masquerades; so much in paying and receiving formal and impertinent visits; so much in idle and foolish prating in censuring and reviling our neighbours; so much in dressing out our bodies and talking of fashions and so much wasted and lost in doing nothing at all. Sherlock,

Question and Answer.

WHEN a speaker puts a question to himself, and immediately answers it, he becomes as it were two persons: and as in all interlocutory discourse, we find the person who questions and he who answers assume a somewhat different tone of voice, so a speaker who assumes both these personages ought also to assume the different tones they make use of; that is, the question should be pronounced in a higher, a more open and declarative tone, and the answer (after a long pause) in a lower, firmer, and more definite one. Such a distinction of voice is not only proper to distinguish the sense of each sentence, and to keep them from blending together, and confusing the thought, but it gives a more emphatic turn to the meaning, and gratifies the ear by its variety. This figure of speaking is often adopted by the best orators, and merits care

ful attention in pronouncing it. Thus Cicero, in his oration for Muræna, makes use of this figure, where he says

-But to return to what I proposed; away with the name of Cato from this dispute; away with all authority, which in a court of justice ought to have no other influence but to save. Join issue with me upon the crimes themselves. What is your charge, Cato? What is to be tried? What do you offer evidence of? Do you impeach corruption? I do not defend it. Do you blame me for defending, by my pleading, what I punished by law? I answer, that I punished corruption and not innocence: as to corruption, if you please, I will hand in hand with yourself in impeaching it.

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In pronouncing this passage, we may observe that the answers I do not defend it-I answer, that I punished corruption and not innocence, ought to be preceded by a long pause, and pronounced in a lower tone of voice than the questions to which they relate.

We have another example of this figure in his oration for Cælius:

The charge of poisoning now only remains to be discussed; of which I can neither see the foundation nor unravel the design. For what reason could Cælius have to endeavour to poison that lady? That he might not pay back the gold? Pray did she demand it? To avoid the discovery of his guilt? But who charged him? Who would even have mentioned it, had not Cælius impeached a certain person?

In this passage we find one question answered by another; and that question in the first instance, Pray did she demand it? requiring the rising inflexion at the end. In this case, however, notwithstanding the question ends with the rising turn of voice, the whole must be pronounced in a lower tone than the question which precedes it.

But one of the most animated figures of this kind we find in his oration for Milo:

Were the situation of things to be expressed in painting instead of words, you might then distinguish the traitor from the undesigning person: as the one was sitting in his chariot, wrapped up in his cloak, and his wife by his side; it is hard to say if the cloak, the chariot, or the companion, was the greatest impediment to such an intention. For what can carry less the appearance of a design to fight, than a man entangled with a cloak, shut up in a chariot, and almost fettered by a wife? Now, my lords, survey Clodius first leaving his seat in a hurry. For what reason? In the evening. Upon what emergency? Late. To what purpose, especially at this season? He strikes off to Pompey's country-house. Why? That he might visit Pompey? He knew he was at his seat by Albium. Was it to view his house? He had been in it a thousand times. Then what could be his motive for all this sauntering and shifting? Why, to loiter; to gain time, that he might be sure to be on the spot when Milo came up.

The three first questions in this example have no answers, but are still to be pronounced in a higher tone of voice than the affirmative propositions, In the evening, Late, He strikes off to Pompey's country-house. But the succeeding ques tions have all answers, which must, after a considerable pause, adopt a lower tone of voice than the questions that precede them.

Echo.

I HAVE adopted this name for want of a better, to express that repetition of a word or thought which immediately arises from a word or thought that preceded it. Thus Mr. Phillips, in Chandler's Parliamentary Debates;

Sir, I should be much surprised to hear the motion made by the honourable gentleman who spoke last but one, opposed by any member in this house. A motion founded in justice, supported by precedent, and warranted by necessity.

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