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And, all-admiring, with an inward wish

You would desire, the king were made a prelate:
Hear him debate of commonwealth affairs,

You would say,-it hath been all-in-all his study:
List his discourse of war, and you shall hear
A fearful battle render'd you in musick:
Turn him to any cause of policy,

The Gordian knot of it he will unloose,
Familiar as his garter; that, when he speaks,
The air, a charter'd libertine, is still,8
And the mute wonder lurketh in men's ears,
To steal his sweet and honeyed sentences;
So that the art and practick part of life9

Aug. 27. Anno 1605. In this performance we may still hear him reasoning in Divinity, Physick, Jurisprudence, and Philosophy. On the second of these subjects he has not failed to express his well-known enmity to tobacco, and throws out many a royal witticism on the " Medici Nicotianistæ," and "Tobacconista" of the age; insomuch, that Isaac Wake, the chronicler of his triumphs at Oxford, declares, that "nemo nisi iniquissimus rerum æstimator, bonique publici pessimè invidus, Jacobo nostro recusabit immortalem gloriæ aram figere, qui ipse adeo mirabilem in Theologiæ, Jurisprudentiæ, et Medicina arcanis peritiam eamque planè divinitus assecutus est, ut" &c.

STEEVENS.

* The air, &c.] This line is exquisitely beautiful. JOHNSON. The same thought occurs in As you like it, Act II. sc. vii: I must have liberty

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"Withal, as large a charter as the wind,

"To blow on whom I please." MALONE.

So that the art and practick part of life-] He discourses with so much skill on all subjects, that the art and practice of life must be the mistress or teacher of his theorick; that is, that his theory must have been taught by art and practice; which, says he, is strange, since he could see little of the true art or practice among his loose companions, nor ever retired to digest his practice into theory. Art is used by the author for practice, as distinguished from science or theory. JOHNSON.

Must be the mistress to this theorick:"

Which is a wonder, how his grace should glean it,
Since his addiction was to courses vain :

His companies2 unletter'd, rude, and shallow;
His hours fill'd up with riots, banquets, sports;
And never noted in him any study,

Any retirement, any sequestration
From open haunts and popularity.3

ELY. The strawberry grows underneath the nettle; 4

And wholesome berries thrive and ripen best,
Neighbour'd by fruit of baser quality:
And so the prince obscur'd his contemplation
Under the veil of wildness; which, no doubt,
Grew like the summer grass, fastest by night,
Unseen, yet crescive in his faculty.5

1

-to this theorick:] Theorick is what terminates in speculation. So, in The Valiant Welshman, 1615:

son Caradoc,

""Tis yet unfit that, on this sudden warning,
"You leave your fair wife to the theorique
"Of matrimonial pleasure and delight."

Bookish theorick is mentioned in Othello. STEEVENS,

In our author's time this word was always used where we now use theory. See Vol. VIII. p. 354, n. 7. MALONE.

2

See

-companies-] is here used for companions. It is used by other authors of Shakspeare's age in the same sense. Vol. IV. p. 331, n. 2. MALONE.

3

-popularity.] i. e. plebeian intercourse; an unusual sense of the word: though perhaps the same idea was meant to be communicated by it in King Henry IV. Part I. where King Richard II. is represented as having

"Enfeoff'd himself to popularity." STEEVENS.

The strawberry &c.] i. e. the wild fruit so called, that grows in the woods. STEEVENS.

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crescive in his faculty.] Increasing in its proper power.

JOHNSON.

CANT. It must be so: for miracles are ceas'd; And therefore we must needs admit the means, How things are perfected.

ELY.

But, my good lord,
How now for mitigation of this bill
Urg'd by the commons? Doth his majesty
Incline to it, or no?

CANT.

1

6

He seems indifferent;
Or, rather, swaying more upon our part,
Than cherishing the exhibiters against us :
For I have made an offer to his majesty,-
Upon our spiritual convocation;

And in regard of causes now in hand,
Which I have open'd to his grace at large,
As touching France, to give a greater sum
Than ever at one time the clergy yet
Did to his predecessors part withal.

ELY. How did this offer seem receiv'd, my lord?
CANT. With good acceptance of his majesty;
Save, that there was not time enough to hear
(As, I perceiv'd, his grace would fain have done,)
The severals, and unhidden
passages,"

Grew like the summer grass, fastest by night,

Unseen, yet crescive in his faculty.]

"Crescit occulto velut arbor ævo

"Fama Marcelli."

7

Crescive is a word used by Drant, in his translation of Horace's Art of Poetry, 1567:

6

"As lusty youths of crescive age doe flourishe freshe and

grow." STEEVENS.

swaying more upon our part,]

So, in King Henry VI. Part III: "Now sways it this way,

Swaying is inclining.

like a mighty sea,—

"Now sways it that way." MALONE.

7 The severals, and unhidden passages,] This line I suspect of corruption, though it may be fairly enough explained: the

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Of his true titles to some certain dukedoms; And, generally, to the crown and seat of France, Deriv'd from Edward, his great grandfather.

ELY. What was the impediment that broke this off?

CANT. The French ambassador, upon that instant, Crav'd audience: and the hour, I think, is come, To give him hearing: Is it four o'clock?

ELY.

It is.

CANT. Then go we in, to know his embassy; Which I could, with a ready guess, declare, Before the Frenchman speak a word of it.

ELY. I'll wait upon you; and I long to hear it.

[Exeunt.

SCENE II.

The same. A Room of State in the same.

Enter King HENRY, GLOSTER, BEDFORD, EXETER, WARWICK, WESTMORELAND, and Attendants.

K. HEN. Where is my gracious lord of Canterbury?

EXE. Not here in presence.

K. HEN. Send for him, good uncle.

passages of his titles are the lines of succession by which his claims descend. Unhidden is open, clear. JOHNSON.

I believe we should read several, instead of severals.

M. MASON.

* Send for him, good uncle.] The person here addressed was

1

WEST. Shall we call in the ambassador, my

liege?9

K. HEN. Not yet, my cousin; we would be resolv'd,

Before we hear him, of some things of weight, That task1 our thoughts, concerning us and France.

Enter the Archbishop of Canterbury, and Bishop of Ely.

CANT. God, and his angels, guard your sacred throne,

And make you long become it!

K. HEN.

Sure, we thank you. My learned lord, we pray you to proceed; And justly and religiously unfold,

Why the law Salique, that they have in France, Or should, or should not, bar us in our claim. And God forbid, my dear and faithful lord,

That you

should fashion, wrest, or bow your reading,

Thomas Beaufort, Earl of Dorset, who was half-brother to King Henry IV. being one of the sons of John of Gaunt, by Katha rine Swynford. Shakspeare is a little too early in giving him the title of Duke of Exeter; for when Harfleur was taken, and he was appointed governour of the town, he was only Earl of Dorset. He was not made Duke of Exeter till the year after the battle of Agincourt, Nov, 14, 1416. MALONE.

Perhaps Shakspeare confounded this character with that of John Holland, Duke of Exeter, who was married to Elizabeth, the king's aunt. He was executed at Plashey in 1400: but with this circumstance our author might have been unacquainted. See Remarks &c. on the last edition of Shakspeare, [i. e. that of 1778,] p. 239. STEEVENS.

9 Shall we call in &c.] Here began the old play. POPE. 1task-] Keep busied with scruples and laborious disquisitions. JOHNSON.

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