Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188 páginas Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
Dentro del libro
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Página 10
... Richard Bjornson , Lowanne Jones , Sara van den Berg , and Gisela Vitt , my colleagues in Comparative Studies , for the intellectual and moral support I needed to write it . To Sara I am grateful for all manner of things . She has ...
... Richard Bjornson , Lowanne Jones , Sara van den Berg , and Gisela Vitt , my colleagues in Comparative Studies , for the intellectual and moral support I needed to write it . To Sara I am grateful for all manner of things . She has ...
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... Richard Crookback . Shakespeare , in particu- lar , dramatized the mimetic impulse through the whole range of hu- man nature , from erected wit to infected will . Yet we cannot hope to understand Shakespearean mimesis merely by seeking ...
... Richard Crookback . Shakespeare , in particu- lar , dramatized the mimetic impulse through the whole range of hu- man nature , from erected wit to infected will . Yet we cannot hope to understand Shakespearean mimesis merely by seeking ...
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... Richard Fly , for example , proposes that Troilus and Cressida is " the work of a dramatist no longer in serene control of his craft and , indeed , perilously close to capitulating before a medium that appears to have grown hostile and ...
... Richard Fly , for example , proposes that Troilus and Cressida is " the work of a dramatist no longer in serene control of his craft and , indeed , perilously close to capitulating before a medium that appears to have grown hostile and ...
Página 38
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Página 39
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Contenido
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Términos y frases comunes
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York