Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188 páginas Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
Dentro del libro
Resultados 1-5 de 19
Página 11
... calls herself one ( III.iv.54 ) ; her verbal metaphor merely points to an analogy more concretely established in her disguise as Ganymede . In disguise , she becomes her own actor and dramatizes herself for Orlando , just as the actor ...
... calls herself one ( III.iv.54 ) ; her verbal metaphor merely points to an analogy more concretely established in her disguise as Ganymede . In disguise , she becomes her own actor and dramatizes herself for Orlando , just as the actor ...
Página 15
... calls for " a philosophical study of Renais- sance drama " based on " the knowledge that ' reality ' by the semiotic nature of language , the medium of theater , is always unavailable . " The plays themselves metadramatically enact the ...
... calls for " a philosophical study of Renais- sance drama " based on " the knowledge that ' reality ' by the semiotic nature of language , the medium of theater , is always unavailable . " The plays themselves metadramatically enact the ...
Página 16
... call the principle of replication . When play is distinguished from reality , the distinction is reproduced both ... calls " antitheatrical prejudice " bears witness to the problematic sense of reality that emerges as a contrary of ...
... call the principle of replication . When play is distinguished from reality , the distinction is reproduced both ... calls " antitheatrical prejudice " bears witness to the problematic sense of reality that emerges as a contrary of ...
Página 35
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Página 46
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Términos y frases comunes
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York