Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188 páginas Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
Dentro del libro
Resultados 1-5 de 89
Página
... dramatic fiction define the relationship of the theatrical event as a whole to the world outside . Inside the theater , actor and stage are metaphori- cally related to character and setting : characters play roles and the setting takes ...
... dramatic fiction define the relationship of the theatrical event as a whole to the world outside . Inside the theater , actor and stage are metaphori- cally related to character and setting : characters play roles and the setting takes ...
Página 7
... Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From Community to Society : Cultural Transformation in Macbeth 126 Conclusion 148 Notes Works ...
... Dramatic Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From Community to Society : Cultural Transformation in Macbeth 126 Conclusion 148 Notes Works ...
Página 9
... drama over the past twenty years I am deeply grateful . I was fortunate to have the opportunity of presenting preliminary sketches of this book at the annual conventions of professional associ- ations and at the Folger Shakespeare ...
... drama over the past twenty years I am deeply grateful . I was fortunate to have the opportunity of presenting preliminary sketches of this book at the annual conventions of professional associ- ations and at the Folger Shakespeare ...
Página 11
... drama of courtship . The game of love helps Rosalind and Orlando to recognize , play out , and overcome these obstacles to a relationship , so that for them , as for the spectators , theatrical artifice is a means to truth . This book ...
... drama of courtship . The game of love helps Rosalind and Orlando to recognize , play out , and overcome these obstacles to a relationship , so that for them , as for the spectators , theatrical artifice is a means to truth . This book ...
Página 12
... dramatic structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self is constituted in its relation to the world . The value of my theory resides in its relation to the last and most general of ...
... dramatic structure ; ( 4 ) the metaphoric process as a model of the process of individuation by which the self is constituted in its relation to the world . The value of my theory resides in its relation to the last and most general of ...
Contenido
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Términos y frases comunes
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York