Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188 páginas Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
Dentro del libro
Resultados 1-5 de 44
Página
... fiction enough substance and indepen- dence so that reality could be compared to it : " All the world's a stage , / And all the men and women merely players . " In Playhouse and Cosmos analysis centers on the ways in which relation ...
... fiction enough substance and indepen- dence so that reality could be compared to it : " All the world's a stage , / And all the men and women merely players . " In Playhouse and Cosmos analysis centers on the ways in which relation ...
Página 7
... Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From Community to Society : Cultural Transformation in Macbeth 126 Conclusion 148 Notes Works Cited ...
... Fiction 67 4 Theatrical Fiction and the Reality of Love in As You Like It 86 5 Heroism , History , and the Theater in Henry V 102 6 From Community to Society : Cultural Transformation in Macbeth 126 Conclusion 148 Notes Works Cited ...
Página 14
... fiction . The ambivalent coexistence of oral and written modes of discourse in literature and drama , and the relation of this ambivalence to our own being as presence , are implicit in the topics and terminology of criticism . The ...
... fiction . The ambivalent coexistence of oral and written modes of discourse in literature and drama , and the relation of this ambivalence to our own being as presence , are implicit in the topics and terminology of criticism . The ...
Página 17
... fiction the division within the real for which theater itself is , if not the cause , at least a metaphor . The duality of play and reality is also replicated within play . This replication affects both the ludic and the mimetic ...
... fiction the division within the real for which theater itself is , if not the cause , at least a metaphor . The duality of play and reality is also replicated within play . This replication affects both the ludic and the mimetic ...
Página 18
... fiction . These elements are related within a play in a manner that prompts in us a feeling that the play as a whole is likewise related to a reality beyond the theater . The content of that reality and the play's relation to it cannot ...
... fiction . These elements are related within a play in a manner that prompts in us a feeling that the play as a whole is likewise related to a reality beyond the theater . The content of that reality and the play's relation to it cannot ...
Contenido
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Términos y frases comunes
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York