Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188 páginas Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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Página 16
... reference . But the basic question of " real- ity " as the referent of " play " must be dealt with here . The distinction between play and reality seems , at first , self - evident . Johan Huizinga states flatly that " play is not ...
... reference . But the basic question of " real- ity " as the referent of " play " must be dealt with here . The distinction between play and reality seems , at first , self - evident . Johan Huizinga states flatly that " play is not ...
Página 24
... reference to the Swan . The cohesiveness of this tradition is visible in several panoramic maps and views , in which the bankside theaters and gamehouses look virtually identical and are , in their roundness , conspicuously different ...
... reference to the Swan . The cohesiveness of this tradition is visible in several panoramic maps and views , in which the bankside theaters and gamehouses look virtually identical and are , in their roundness , conspicuously different ...
Página 32
... reference . In medieval the- ology , God is compared to a poet and the world to a poem , but always with the reservation that God's creating ex nihilo is essentially different from human making : " the creature cannot create ...
... reference . In medieval the- ology , God is compared to a poet and the world to a poem , but always with the reservation that God's creating ex nihilo is essentially different from human making : " the creature cannot create ...
Página 37
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Lo sentimos, el contenido de esta página está restringido..
Página 46
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Contenido
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Términos y frases comunes
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York