Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188 páginas Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
Dentro del libro
Resultados 1-5 de 28
Página 14
... suggest that our presence to the world , no less than its literary image , is a subjective fiction . The ambivalent coexistence of oral and written modes of discourse in literature and drama , and the relation of this ambivalence to our ...
... suggest that our presence to the world , no less than its literary image , is a subjective fiction . The ambivalent coexistence of oral and written modes of discourse in literature and drama , and the relation of this ambivalence to our ...
Página 15
... suggest that the play itself is meta- dramatic by default : it refers to itself because it cannot refer to anything else . Richard Fly , for example , proposes that Troilus and Cressida is " the work of a dramatist no longer in serene ...
... suggest that the play itself is meta- dramatic by default : it refers to itself because it cannot refer to anything else . Richard Fly , for example , proposes that Troilus and Cressida is " the work of a dramatist no longer in serene ...
Página 26
... suggests a common pattern of with- drawal and restructuring within the field of symbolic action . Most interiors are surrounded by some sort of ... wall that defines their boundaries . . . . The insider is always more or less aware of ...
... suggests a common pattern of with- drawal and restructuring within the field of symbolic action . Most interiors are surrounded by some sort of ... wall that defines their boundaries . . . . The insider is always more or less aware of ...
Página 37
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Lo sentimos, el contenido de esta página está restringido..
Página 46
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Contenido
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Términos y frases comunes
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York