Playhouse and Cosmos: Shakespearean Theater as MetaphorUniversity of Delaware Press, 1985 - 188 páginas Playhouse and Cosmos systematically and comprehensively describes the function of theater and role-playing as metaphors in Shakespearean drama. The author examines this metaphor's revelatory and liberating power and concludes by affirming, with Shakespeare, the creative power of theatricality in life and in art. |
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... symbol and an effective instrument of order that allows creative responses to the social and psychological complex- ities caused by literacy . This spatial ordering — with the hierarchies , logics , and technologies that follow from it ...
... symbol and an effective instrument of order that allows creative responses to the social and psychological complex- ities caused by literacy . This spatial ordering — with the hierarchies , logics , and technologies that follow from it ...
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... — as if shaped by surface tension , like Marvell's drop of dew ( a symbol of the soul ) , which Shed from the Bosom of the Morn Into the blowing Roses , Round in itself incloses : And in its little Globes 26 PLAYHOUSE AND COSMOS.
... — as if shaped by surface tension , like Marvell's drop of dew ( a symbol of the soul ) , which Shed from the Bosom of the Morn Into the blowing Roses , Round in itself incloses : And in its little Globes 26 PLAYHOUSE AND COSMOS.
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Contenido
23 | |
Reality in Play Playhouse as Emblem Performance as Metaphor | 45 |
Reality and Play in Dramatic Fiction | 67 |
Theatrical Fiction and the Reality of Love in As You Like It | 86 |
Heroism History and the Theater in Henry V | 102 |
From Community to Society Cultural Transformation in Macbeth | 126 |
Conclusion | 148 |
Notes | 152 |
171 | |
185 | |
Términos y frases comunes
action actor actors and spectators affirms ambivalence Atlas audience auditorium Banquo Cambridge character Chicago Chorus Clarendon Press comedy cosmic emblem cosmos Critical defined dimensions disguise dramatic fiction dramatist Dream E. K. Chambers Edward Edward III Elizabethan drama embodies English Ernst Cassirer Essays experience fictive forest Ganymede Globe Gregory Smith Harry Berger Henry Henry's heroic heroism heterocosm human ideal imagination inner Kernan king London lovers Macbeth Macduff Malcolm Menaechmi metacritical metaphor Midsummer Night's Dream mimesis mimetic mind mode narrative nature normal world object objectifies opening scenes Orlando Oxford pattern of withdrawal play and reality play's players poetic poetry present Princeton projections relation relationship Renaissance response role role-playing Rosalind says setting Shake Shakespeare Shakespeare Quarterly Shakespearean drama Sidney stage Stephen Gosson structure subjective symbol Tamburlaine theater theatrical artifice theatrical event theatrical performance Theatrum thought tion Tragedies trans transform witches withdrawal and return Yale University York