Julius CaesarPenguin, 2000 M12 1 - 304 páginas The Signet Classics edition of Shakespeare's timeless tragedy of conspiracy and betrayal. In the first of his Roman history plays, the Bard tells the story of the murder of emperor Julius Caesar and the gruesome aftermath as ancient Rome descends into a violent mob. This title in the Signet Classics Shakespeare series includes: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editors, William and Barbara Rosen • Selections from Plutarch's Lives of Noble Grecians and Romans, the source from which Shakespeare derived Julius Caesar • Dramatic criticism from Roy Walker, Maynard Mack, Richard David, and others • A comprehensive stage and screen history of notable actors, directors, and productions of Julius Caesar • Text, notes, and commentaries printed in the clearest, most readable format • Recommended readings |
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... turning the old plays, most of which were no longer current in the playhouse, into ready money (the folio includes only Shakespeare's plays, not his sonnets or other nondramatic verse). Whatever the motives behind the publication of the ...
... turning the old plays, most of which were no longer current in the playhouse, into ready money (the folio includes only Shakespeare's plays, not his sonnets or other nondramatic verse). Whatever the motives behind the publication of the ...
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... turns against Rome, laying siege to the city before being slain. Antony and Cleopatra (1606-7) turns to the inauguration of Imperial Rome with the passionate love of Mark Antony for Cleopatra and their ensuing defeat at the Battle of ...
... turns against Rome, laying siege to the city before being slain. Antony and Cleopatra (1606-7) turns to the inauguration of Imperial Rome with the passionate love of Mark Antony for Cleopatra and their ensuing defeat at the Battle of ...
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... turns North's prose directly into iambic pentameter, barely changing a word. At other times, Shakespeare adds features not in Plutarch's original: Caesar's deafness - richly suggestive of vulnerability and arrogance - is Shakespeare's ...
... turns North's prose directly into iambic pentameter, barely changing a word. At other times, Shakespeare adds features not in Plutarch's original: Caesar's deafness - richly suggestive of vulnerability and arrogance - is Shakespeare's ...
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... turn him going. (III.3.26-35) Even as it plays upon a dark joke (a poet being ripped apart quite literally by a hostile public), the moment is one of the grimmest in all of Shakespeare; far more cynically than Plutarch, the English ...
... turn him going. (III.3.26-35) Even as it plays upon a dark joke (a poet being ripped apart quite literally by a hostile public), the moment is one of the grimmest in all of Shakespeare; far more cynically than Plutarch, the English ...
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... turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend. (II.1.19-27) The most important decision of Brutus's life is ...
... turns his face; But when he once attains the upmost round, He then unto the ladder turns his back, Looks in the clouds, scorning the base degrees By which he did ascend. (II.1.19-27) The most important decision of Brutus's life is ...
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actors answer appear army battle bear better blood body Brutus Calpurnia Capitol CASCA CASSIUS cause Cinna comes common conspirators crown dangerous death Decius doth early enemy English Enter Exeunt Exit eyes face fall fear fire folio follow FOURTH PLEBEIAN give gods hand hath hear heart hold honor humor Julius Caesar leave Ligarius live London look lord Lucillius Lucius March Mark Antony matter mean meet Messala mind moved nature never night noble Octavius once Peace performed Pindarus play playwright PLEBEIAN poet PORTIA present reason rest Roman Rome Senate SERVANT Shakespeare sick SOLDIER speak speech spirit stage stand stay streets sword tell texts theater thee things THIRD thou Titinius true turn wrong