Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, WebsterCambridge University Press, 2005 M09 29 - 184 páginas Examining sixteenth and seventeenth century conceptions of memory and forgetting, this study demonstrates their importance to the drama and culture of the time. Garrett A. Sullivan discusses memory and forgetting in terms of which a variety of behaviors--from seeking salvation to pursuing vengeance to succumbing to desire--are conceptualized. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, he reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. |
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... Hamlet , Dr. Faustus and The Duchess of Malfi , Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment , selfhood and social practice . GARRETT A. SULLIVAN , JR . is ...
... Hamlet , Dr. Faustus and The Duchess of Malfi , Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment , selfhood and social practice . GARRETT A. SULLIVAN , JR . is ...
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... Hamlet and The Taming of the Shrew and Marlowe's Tamburlaine the Great , Pt . 1 . The subject of memory and the remembering subject In recent years , memory has become a crucial category for early modern studies . Historians have ...
... Hamlet and The Taming of the Shrew and Marlowe's Tamburlaine the Great , Pt . 1 . The subject of memory and the remembering subject In recent years , memory has become a crucial category for early modern studies . Historians have ...
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... Hamlet is the story of a prince who cannot sustain the model of vengeance promulgated by the Ghost . In these texts , possible exemplars are on offer to protagonists and audience , and memory is central to their operation . But ...
... Hamlet is the story of a prince who cannot sustain the model of vengeance promulgated by the Ghost . In these texts , possible exemplars are on offer to protagonists and audience , and memory is central to their operation . But ...
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... Hamlet , however , the subject does not always respond to the appeal to remember ; in order for the call to be answered , it must be experienced in conjunction with specific personal and / or societal imperatives . " Remembering " is ...
... Hamlet , however , the subject does not always respond to the appeal to remember ; in order for the call to be answered , it must be experienced in conjunction with specific personal and / or societal imperatives . " Remembering " is ...
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... Hamlet's Ghost , " Remember me " ( 1. 5. 91 ) . It is worth pausing over the powerful opacity of that imperative . What exactly would it mean for Hamlet to remember the Ghost ? What precisely does remembrance entail ? The Ghost provides ...
... Hamlet's Ghost , " Remember me " ( 1. 5. 91 ) . It is worth pausing over the powerful opacity of that imperative . What exactly would it mean for Hamlet to remember the Ghost ? What precisely does remembrance entail ? The Ghost provides ...
Otras ediciones - Ver todas
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Vista previa limitada - 2005 |
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Sin vista previa disponible - 2009 |
Términos y frases comunes
act of forgetting actions All's Antony and Cleopatra Antony's Art of Memory assertion audience Batman behavior Bertram body Bosola brothers Caesar's Cambridge University Press chapter character Christopher Marlowe Circe cognitive conception connotes conscience constituted crucial Culture death depiction describes desire discipline discourse discussion Donne Donne's Duchess of Malfi Early Modern England Early Modern English English erotic self-forgetting example fame father Faustus Faustus's Ferdinand functions Ghost Hamlet hath hedonism Helena identity images John John Donne King knowledge lethargy linked London Macbeth Marlowe Marlowe's marriage memory and forgetting Mephistopheles metaphors Michael Neill mnemonic Moreover oblivion offers one's passions performed play play's pleasures Plutarch recollection reference relation relationship remember Renaissance Renaissance Drama representation represents reveals Roman Routledge salvation scene self-forgetting self-recollection self-remembering selfhood sermon sexual Shakespeare sins sleep social somatic soul stage suggests texts theatre things forgotten thou Tragedy trans understood Webster William Shakespeare