Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, WebsterCambridge University Press, 2005 M09 29 - 184 páginas Examining sixteenth and seventeenth century conceptions of memory and forgetting, this study demonstrates their importance to the drama and culture of the time. Garrett A. Sullivan discusses memory and forgetting in terms of which a variety of behaviors--from seeking salvation to pursuing vengeance to succumbing to desire--are conceptualized. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, he reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. |
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... conceptions of memory and forgetting , and their importance to the drama and culture of early modern England . Garrett A. Sullivan , Jr. discusses memory and forgetting as categories in terms of which a variety of behaviors - from ...
... conceptions of memory and forgetting , and their importance to the drama and culture of early modern England . Garrett A. Sullivan , Jr. discusses memory and forgetting as categories in terms of which a variety of behaviors - from ...
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... conceptions of memory and forgetting are considered in relation to specific moments in period texts , including Richard Mulcaster's account of Elizabeth I's royal entry , Shakespeare's Hamlet and The Taming of the Shrew and Marlowe's ...
... conceptions of memory and forgetting are considered in relation to specific moments in period texts , including Richard Mulcaster's account of Elizabeth I's royal entry , Shakespeare's Hamlet and The Taming of the Shrew and Marlowe's ...
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... conceptions of memoria and recollection would cheer those practitioners of cognitive science who have explicitly sought to undo the legacy of the Cartesian mind - body split.33 The third component of memory is remembering , which ...
... conceptions of memoria and recollection would cheer those practitioners of cognitive science who have explicitly sought to undo the legacy of the Cartesian mind - body split.33 The third component of memory is remembering , which ...
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... conception of identity based on the individual's location in a larger social network . In fact , the “ individual ” only emerges out of and in relation to that network.49 To forget oneself by violating propriety - by no longer ...
... conception of identity based on the individual's location in a larger social network . In fact , the “ individual ” only emerges out of and in relation to that network.49 To forget oneself by violating propriety - by no longer ...
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... conception of theatre as generative of both forgetting and forgetful bodies . Chapter 2 , entitled " Be this sweet Helen's knell , and now forget her ' : forgetting and desire in All's Well That Ends Well , " focuses on " erotic " self ...
... conception of theatre as generative of both forgetting and forgetful bodies . Chapter 2 , entitled " Be this sweet Helen's knell , and now forget her ' : forgetting and desire in All's Well That Ends Well , " focuses on " erotic " self ...
Otras ediciones - Ver todas
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Vista previa limitada - 2005 |
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Sin vista previa disponible - 2009 |
Términos y frases comunes
act of forgetting actions All's Antony and Cleopatra Antony's Art of Memory assertion audience Batman behavior Bertram body Bosola brothers Caesar's Cambridge University Press chapter character Christopher Marlowe Circe cognitive conception connotes conscience constituted crucial Culture death depiction describes desire discipline discourse discussion Donne Donne's Duchess of Malfi Early Modern England Early Modern English English erotic self-forgetting example fame father Faustus Faustus's Ferdinand functions Ghost Hamlet hath hedonism Helena identity images John John Donne King knowledge lethargy linked London Macbeth Marlowe Marlowe's marriage memory and forgetting Mephistopheles metaphors Michael Neill mnemonic Moreover oblivion offers one's passions performed play play's pleasures Plutarch recollection reference relation relationship remember Renaissance Renaissance Drama representation represents reveals Roman Routledge salvation scene self-forgetting self-recollection self-remembering selfhood sermon sexual Shakespeare sins sleep social somatic soul stage suggests texts theatre things forgotten thou Tragedy trans understood Webster William Shakespeare