Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, WebsterCambridge University Press, 2005 M09 29 - 184 páginas Examining sixteenth and seventeenth century conceptions of memory and forgetting, this study demonstrates their importance to the drama and culture of the time. Garrett A. Sullivan discusses memory and forgetting in terms of which a variety of behaviors--from seeking salvation to pursuing vengeance to succumbing to desire--are conceptualized. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, he reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. |
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... final stages of preparing the manuscript , I also received excellent help from two Penn State students , Stephanie D'Antonio and Allison Scekeres . This book has benefited greatly from the generosity and intellectual engagement of a ...
... final stages of preparing the manuscript , I also received excellent help from two Penn State students , Stephanie D'Antonio and Allison Scekeres . This book has benefited greatly from the generosity and intellectual engagement of a ...
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... final lines of Hamlet's speech constitute a solemn moment of oath - swearing : " Now to my word . It is ' Adieu , adieu , remember me . ' / I have sworn't " ( 1. 5. 110-112 ) . Here Hamlet attempts to reconstitute himself in terms of ...
... final lines of Hamlet's speech constitute a solemn moment of oath - swearing : " Now to my word . It is ' Adieu , adieu , remember me . ' / I have sworn't " ( 1. 5. 110-112 ) . Here Hamlet attempts to reconstitute himself in terms of ...
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... final dismissive reference to the possibility of her self - forgetting actually attests to the completion of that process , as Zenocrate , who in the above lines clearly " knows her place " as an Egyptian , reconstitutes herself ...
... final dismissive reference to the possibility of her self - forgetting actually attests to the completion of that process , as Zenocrate , who in the above lines clearly " knows her place " as an Egyptian , reconstitutes herself ...
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Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Vista previa limitada - 2005 |
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Sin vista previa disponible - 2009 |
Términos y frases comunes
act of forgetting actions All's Antony and Cleopatra Antony's Art of Memory assertion audience Batman behavior Bertram body Bosola brothers Caesar's Cambridge University Press chapter character Christopher Marlowe Circe cognitive conception connotes conscience constituted crucial Culture death depiction describes desire discipline discourse discussion Donne Donne's Duchess of Malfi Early Modern England Early Modern English English erotic self-forgetting example fame father Faustus Faustus's Ferdinand functions Ghost Hamlet hath hedonism Helena identity images John John Donne King knowledge lethargy linked London Macbeth Marlowe Marlowe's marriage memory and forgetting Mephistopheles metaphors Michael Neill mnemonic Moreover oblivion offers one's passions performed play play's pleasures Plutarch recollection reference relation relationship remember Renaissance Renaissance Drama representation represents reveals Roman Routledge salvation scene self-forgetting self-recollection self-remembering selfhood sermon sexual Shakespeare sins sleep social somatic soul stage suggests texts theatre things forgotten thou Tragedy trans understood Webster William Shakespeare