Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe, WebsterCambridge University Press, 2005 M09 29 - 184 páginas Examining sixteenth and seventeenth century conceptions of memory and forgetting, this study demonstrates their importance to the drama and culture of the time. Garrett A. Sullivan discusses memory and forgetting in terms of which a variety of behaviors--from seeking salvation to pursuing vengeance to succumbing to desire--are conceptualized. Focusing on works such as Macbeth, Hamlet, Dr. Faustus and The Duchess of Malfi, he reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice. |
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... " My oblivion is a very Antony " 88 5 Sleep , conscience and fame in The Duchess of Malfi 109 6 Coda : " Wrought with things forgotten " 132 Notes Index 137 180 Acknowledgments I am grateful to Johns Hopkins University Press and.
... " My oblivion is a very Antony " 88 5 Sleep , conscience and fame in The Duchess of Malfi 109 6 Coda : " Wrought with things forgotten " 132 Notes Index 137 180 Acknowledgments I am grateful to Johns Hopkins University Press and.
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... sleep ) to construe differently relations between the subject and his social world . Finally , one must stress that if memory is important for the drama and culture of early modern England , it is also a category whose capaciousness ...
... sleep ) to construe differently relations between the subject and his social world . Finally , one must stress that if memory is important for the drama and culture of early modern England , it is also a category whose capaciousness ...
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... only to forgetting * but more broadly to specific somatic phenomena - lethargy , excess sleep , inordinate sexual desire . More broadly still , forgetfulness connotes the non 12 Memory and Forgetting in English Renaissance Drama.
... only to forgetting * but more broadly to specific somatic phenomena - lethargy , excess sleep , inordinate sexual desire . More broadly still , forgetfulness connotes the non 12 Memory and Forgetting in English Renaissance Drama.
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... sleep : I see , I hear , I speak ; I smell sweet savors , and I feel soft things . Upon my life , I am a lord indeed , And not a tinker , nor Christopher Sly . Well , bring our lady hither to our sight , And once again a pot o ' th ...
... sleep : I see , I hear , I speak ; I smell sweet savors , and I feel soft things . Upon my life , I am a lord indeed , And not a tinker , nor Christopher Sly . Well , bring our lady hither to our sight , And once again a pot o ' th ...
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... sleeps " of strong passion - by crafting a desiring subjectivity out of the misogynist language of their opprobrium , with tragic results . If forgetting is generally devalued in early modern England as in its association with ...
... sleeps " of strong passion - by crafting a desiring subjectivity out of the misogynist language of their opprobrium , with tragic results . If forgetting is generally devalued in early modern England as in its association with ...
Otras ediciones - Ver todas
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Vista previa limitada - 2005 |
Memory and Forgetting in English Renaissance Drama: Shakespeare, Marlowe ... Garrett A. Sullivan Sin vista previa disponible - 2009 |
Términos y frases comunes
act of forgetting actions All's Antony and Cleopatra Antony's Art of Memory assertion audience Batman behavior Bertram body Bosola brothers Caesar's Cambridge University Press chapter character Christopher Marlowe Circe cognitive conception connotes conscience constituted crucial Culture death depiction describes desire discipline discourse discussion Donne Donne's Duchess of Malfi Early Modern England Early Modern English English erotic self-forgetting example fame father Faustus Faustus's Ferdinand functions Ghost Hamlet hath hedonism Helena identity images John John Donne King knowledge lethargy linked London Macbeth Marlowe Marlowe's marriage memory and forgetting Mephistopheles metaphors Michael Neill mnemonic Moreover oblivion offers one's passions performed play play's pleasures Plutarch recollection reference relation relationship remember Renaissance Renaissance Drama representation represents reveals Roman Routledge salvation scene self-forgetting self-recollection self-remembering selfhood sermon sexual Shakespeare sins sleep social somatic soul stage suggests texts theatre things forgotten thou Tragedy trans understood Webster William Shakespeare