The Actor and the TextHal Leonard Corporation, 1992 - 303 páginas (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
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Página 8
... Audience and On Leaving the Theatre , by Edward Bond , from " Theatre Poems and Songs ' , 1978 edition . Signet Books , by arrangement with New Directions Books and Tennessee Williams , for the extract from A Streetcar Named Desire , by ...
... Audience and On Leaving the Theatre , by Edward Bond , from " Theatre Poems and Songs ' , 1978 edition . Signet Books , by arrangement with New Directions Books and Tennessee Williams , for the extract from A Streetcar Named Desire , by ...
Página 11
... audience . It is about how to use the freedom we get in exercises when we are being real in speech . It is about making the language organic , so that the words act as the spur to the sound , and so that flexibility and range are found ...
... audience . It is about how to use the freedom we get in exercises when we are being real in speech . It is about making the language organic , so that the words act as the spur to the sound , and so that flexibility and range are found ...
Página 14
... audience . He wants it to be accurate to his intention and to sound unforced . He wants to know that he is carrying the listener with him for , in the end , it is the voice which sets up the main bond between him and his audience ...
... audience . He wants it to be accurate to his intention and to sound unforced . He wants to know that he is carrying the listener with him for , in the end , it is the voice which sets up the main bond between him and his audience ...
Página 15
... audience , a different style of speaking perhaps . — 1 ATTITUDES TO VOICE First , I want to look at the factors which hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are ...
... audience , a different style of speaking perhaps . — 1 ATTITUDES TO VOICE First , I want to look at the factors which hold us back from making the text as rich and alive as possible . This may seem negative , but I think there are ...
Página 21
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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Términos y frases comunes
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Referencias a este libro
Script Analysis for Actors, Directors, and Designers James Michael Thomas Vista previa limitada - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Sin vista previa disponible - 2007 |