The Actor and the TextHal Leonard Corporation, 1992 - 303 páginas (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
Dentro del libro
Resultados 1-5 de 40
Página 7
... physical seat and vibration , its associations , its weight and texture and colour . More than a teacher , she is a director , an analyst , a critic , a sociologist and above all , a restless and dissatisfied enquirer . Her work demands ...
... physical seat and vibration , its associations , its weight and texture and colour . More than a teacher , she is a director , an analyst , a critic , a sociologist and above all , a restless and dissatisfied enquirer . Her work demands ...
Página 9
... physical and verbal life of the characters is totally apparent and palpable ; and lastly because , and this is particularly important for the modern actor , the structure of the thought demands both courage and discipline . The main ...
... physical and verbal life of the characters is totally apparent and palpable ; and lastly because , and this is particularly important for the modern actor , the structure of the thought demands both courage and discipline . The main ...
Página 11
... physical make - up and our experience . That is to say , how we use our voice is conditioned by a ) our environment and our attitude to that ; b ) our perception of sound and the accuracy with which we hear it ( our ear ) , and this is ...
... physical make - up and our experience . That is to say , how we use our voice is conditioned by a ) our environment and our attitude to that ; b ) our perception of sound and the accuracy with which we hear it ( our ear ) , and this is ...
Página 15
... complex mix of background , physical make - up and personality , and the interactions of one upon the other . And because of this we quite ́involuntarily make a statement with our voice . This statement 15 SOUND AND MEANING IV.
... complex mix of background , physical make - up and personality , and the interactions of one upon the other . And because of this we quite ́involuntarily make a statement with our voice . This statement 15 SOUND AND MEANING IV.
Página 19
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
Contenido
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
Otras ediciones - Ver todas
Términos y frases comunes
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Referencias a este libro
Script Analysis for Actors, Directors, and Designers James Michael Thomas Vista previa limitada - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Sin vista previa disponible - 2007 |