The Actor and the TextHal Leonard Corporation, 1992 - 303 páginas (Applause Acting Series). These words of Cicely Berry, the voice director of the Royal Shakespeare Company, speak to anyone who needs to speak his or her piece in any arena, at sales meetings or religious revivals. Berry's book will insure that the speaker and the text gets heard accurately and with true emotional range. Never again will one be accused of simply "reading a prepared statement." Berry's exercises to develop relaxation, breathing and muscular control will literally help everyone breathe easier when confronting the printed page. |
Dentro del libro
Resultados 1-5 de 68
Página 5
... Structures , Energy , Imagery and Sound 82 1 Energy through the text 82 2 Antithesis 90 3 Substance of the word 95 4 ... Structure of speeches 115 121 128 Part THREE : Shakespeare the Practical Means - Chapter Five : Introduction to the ...
... Structures , Energy , Imagery and Sound 82 1 Energy through the text 82 2 Antithesis 90 3 Substance of the word 95 4 ... Structure of speeches 115 121 128 Part THREE : Shakespeare the Practical Means - Chapter Five : Introduction to the ...
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... structures 205 213 220 4 Recap on speech structures 229 5 Sonnets Chapter Ten : Relating to Other Texts 1 Jacobean text 240 251 251 2 Restoration text 3 Formal modern text 4 Modern text 253 254 255 Part FOUR : Voice Work Chapter Eleven ...
... structures 205 213 220 4 Recap on speech structures 229 5 Sonnets Chapter Ten : Relating to Other Texts 1 Jacobean text 240 251 251 2 Restoration text 3 Formal modern text 4 Modern text 253 254 255 Part FOUR : Voice Work Chapter Eleven ...
Página 9
... structure of the thought demands both courage and discipline . The main part of this book , then , deals with the speaking of Shakespeare and with the challenge of classical text and it is - practical . Having worked in a company for ...
... structure of the thought demands both courage and discipline . The main part of this book , then , deals with the speaking of Shakespeare and with the challenge of classical text and it is - practical . Having worked in a company for ...
Página 25
Lo sentimos, el contenido de esta página está restringido..
Lo sentimos, el contenido de esta página está restringido..
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Lo sentimos, el contenido de esta página está restringido..
Contenido
V | 16 |
VI | 17 |
VII | 26 |
VIII | 34 |
X | 53 |
XII | 54 |
XV | 84 |
XVII | 92 |
XXXVI | 180 |
XXXVII | 187 |
XXXVIII | 191 |
XL | 207 |
XLIII | 215 |
XLIV | 222 |
XLV | 231 |
XLVI | 242 |
XVIII | 97 |
XIX | 106 |
XX | 112 |
XXI | 117 |
XXII | 123 |
XXIII | 130 |
XXIV | 141 |
XXVI | 142 |
XXVIII | 145 |
XXXI | 150 |
XXXII | 159 |
XXXIII | 173 |
XLVII | 253 |
XLIX | 255 |
L | 256 |
LI | 257 |
LII | 262 |
LIV | 267 |
LV | 275 |
LVI | 276 |
LIX | 287 |
299 | |
LXI | 303 |
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Términos y frases comunes
actor antithesis Antony Antony and Cleopatra audience aware Barnardo become beginning breath Caesar caesura character consonants Coriolanus Cressida Delroy dialogue Dingo doth emotional energy exercises feel give Hamlet happens hath hear heightened Hermia Iago imagery important Julius Caesar Karn keep King Lear language Leontes listen look Love's Labour's Lost Macbeth meaning mememe metre mind Mogg move movement naturalistic night notice open vowels Othello ourselves particularly passage patterns perhaps person phrase physical piece of text play poetic possible prose reason rehearsal rhyme rhythm Richard Richard II Romeo and Juliet Rosalind round scene sense Shakespeare sing soliloquy sonnet sound space speak the text speech stress style syllables talking texture thee Theseus thing thou thought structure Troilus Troilus and Cressida verse voice vowels weight whole Winter's Tale words writing
Referencias a este libro
Script Analysis for Actors, Directors, and Designers James Michael Thomas Vista previa limitada - 2005 |
A Companion to Shakespeare and Performance Barbara Hodgdon,W. B. Worthen Sin vista previa disponible - 2007 |