Enter VIOLA. Vio. The honourable lady of the house, which is she? Oli. Speak to me, I shall answer for her. Your will? Vio. Most radiant, exquisite, and unmatchable beauty, I pray you, tell me, if this be the lady of the house, for I never saw her: I would be loth to cast away my speech; for, besides that it is excellently well penn'd, I have taken great pains to con it. Good beauties, let me sustain no scorn: 1 am very comptible 9, even to the least sinister usage. Oli. Whence came you, sir? Vio. I can say little more than I have studied, and that question's out of my part. Good gentle one, give me modest assurance, if you be the lady of the house, that I may proceed in my speech. Oli. Are you a comedian? Vio. No, my profound heart: and yet, by the very fangs of malice, I swear, I am not that I play. Are you the lady of the house? Oli. If I do not usurp myself, I am. Vio. Most certain, if you are she, you do usurp yourself; for what is yours to bestow, is not yours to reserve. But this is from my commission: I will on with my speech in your praise, and then show you the heart of my message. Oli. Come to what is important in't: I forgive you the praise. Vio. Alas, I took great pains to study it, and 'tis poetical. Oli. It is the more like to be feigned; I pray you, keep it in. I heard, you were saucy at my gates; and allowed your approach, rather to wonder at you than to hear you. If you be not mad, be gone; if you have reason, be brief: 'tis not that time of moon with me, to make one in so skipping a dialogue. Mar. Will you hoist sail, sir? here lies your way. Vio. No, good swabber; I am to hull here a little longer. Some mollification for your giant', sweet lady. Oli. Tell me your mind. Vio. I am a messenger. Oli. Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office. Vio. It alone concerns your ear. I bring no overture of war, no taxation of homage; I hold the olive in my hand: my words are as full of peace as matter. Oli. Yet you began rudely. What are you? what would you? Vio. The rudeness, that hath appear'd in me, have I learn'd from my entertainment. What I am, and what I would, are to your ears, divinity; to any other's profanation. Oli. Give us the place alone: we will hear this divinity. [Exit MARIA.] Now, sir, what is your text? Vio. Most sweet lady, Oli. A comfortable doctrine, and much may be said of it. Where lies your text? Vio. In Orsino's bosom. Vio. To answer by the method, in the first of his heart. Oli. O, I have read it; it is heresy. Have you no more to say? Vio. Good madam, let me see your face. Oli. Have you any commission from your lord to negotiate with my face? you are now out of your text: but we will draw the curtain, and show you the picture. Look you, sir, such a one as I was this present: Is't not well done? [Unveiling. Vio. Excellently done, if nature did all. Oli. 'Tis in grain, sir; 'twill endure wind and weather. Vio. 'Tis beauty truly blent, whose red and white Nature's own sweet and cunning hand laid on: Lady, you are the cruel'st she alive, If you will lead these graces to the grave, And leave the world no copy. Oli. O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty: It shall be inventoried; and every particle, and utensil, labelled to my will: as, item, two lips indifferent red; item, two grey eyes, with lids to them; item, one neck, one chin, and so forth. Were you sent hither to 'praise me? Vio. I see you what you are: you are too proud; But, if you were the devil, you are fair. My lord and master loves you; O, such love Could be but recompens'd, though you were crown'd The nonpareil of beauty! How does he love me? Oli. Vio. With adorations, with fertile tears, Yet I suppose him virtuous, know him noble, Vio. If I did love you in my master's flame, Oli. You might do much: What is your parentage? Vio. Above my fortunes, yet my state is well: I am a gentleman. Oli. Get you to your lord; I cannot love him: let him send no more; Oli. In his bosom? In what chapter of his bosom? And let your fervour, like my master's, be Plac'd in contempt! Farewell, fair cruelty. [Exit. Enter ANTONIO and SEBASTIAN. Ant. Will you stay no longer? nor will you not, that I go with you? Seb. By your patience, no: my stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave, that I may bear my evils alone: It were a bad recompense for your love, to lay any of them on you. Ant. Let me yet know of you,whither you are bound. Seb. No, 'sooth, sir; my determinate voyage is mere extravagancy. But I perceive in you so excellent a touch of modesty, that you will not extort from me what I am willing to keep in; therefore it charges me in manners the rather to express myself. You must know of me then, Antonio, my name is Sebastian, which I called Rodorigo: my father was that Sebastian of Messaline, whom, I know, you have heard of: he left behind him, myself, and a sister, both born in an hour. If the heavens had been pleas'd, would we had so ended! but you, sir, alter'd that; for, some hour before you took me from the breach of the sea, was my sister drowned. Ant. Alas, the day! Seb. A lady, sir, though it was said she much resembled me, was yet of many accounted beautiful: but, though I could not, with such estimable wonder, overfar believe that, yet thus far I will boldly publish her, she bore a mind that envy could not but call fair: she is drowned already, sir, with salt water, though I seem to drown her remembrance again with more. Ant. Pardon me, sir, your bad entertainment. Seb. O, good Antonio, forgive me your trouble. Ant. If you will not murder me for my love, let me be your servant. Seb. If you will not undo what you have done, that is, kill him whom you have recovered, desire it not. Fare ye well at once: my bosom is full of kindness; and I am yet so near the manners of my mother, that upon the least occasion more, mine eyes will tell tales of me. I am bound to the count Orsino's court: farewell. [Exit. Ant. The gentleness of all the gods go with thee: I have many enemies in Orsino's court, That danger shall seem sport, and I will go. [Exit. Enter VIOLA; MALVOLIO following. Mal. Were not you even now with the countess Olivia? Vio. Even now, sir; on a moderate pace I have since arrived but hither. Mal. She returns this ring to you, sir; you Vio. I left no ring with her: What means this lady? For, such as we are made of, such we be. [Exit. SCENE III. A Room in Olivia's House. Enter Sir TOBY BELCH, and Sir ANDREW AGUE-cheek. Sir To. Approach, sir Andrew: not to be a-bed 5 Own, possess. after midnight, is to be up betimes; and diluculo surgere, thou know'st, Sir And. Nay, by my troth, I know not: but I know, to be up late, is to be up late. Sir To. A false conclusion: I hate it as an unfilled can: To be up after midnight, and to go to bed then, is early; so that, to go to bed after midnight, is to go to bed betimes. Do not our lives consist of the four elements? Sir And. 'Faith, so they say; but, I think, it rather consists of eating and drinking. Sir To. Thou art a scholar; let us therefore eat and drink. Marian, I say! -a stoop of wine! Enter Clown. Sir And. Here comes the fool. Clo. How now, my hearts? Did you never see the picture of we three? 8 Sir To. Welcome ass. Now let's have a catch. Sir And. By my troth, the fool has an excellent breast. 9 I had rather than forty shillings I had such a leg; and so sweet a breath to sing, as the fool has. In sooth, thou wast in very gracious fooling last night, when thou spokest of Pigrogromitus, of the Vapians passing the equinoctial of Queubus; 'twas very good, i'faith. Clo. My lady has a white hand, and the Myrmidons are no bottle-ale houses. Sir And. Excellent! Why, this is the best fooling, when all is done. Now, a song. Sir To. Come on; there is a sixpence for you : let's have a song. Sir And. There's a testril of me too: knight give a if one Clo. Would you have a love-song, or a song of good life? Sir To. A love-song, a love-song. Sir And. Ay, ay; I care not for good life. SONG. Clo. O mistress mine, where are you roaming? Every wise man's son doth know. Sir And. Excellent good, i'faith! Clo. What is love? 'tis not hereafter; In delay there lies no plenty; Then come kiss me, sweet-and-twenty, Clo. Hold thy peace, thou knave, knight! I shall be constrain'd in't to call thee knave, knight. Sir And. 'Tis not the first time I have constrain'd one to call me knave. Begin, fool; it begins, Hold thy peace. Clo. I shall never begin, if I hold my peace. Enter MARIA. Mar. What a catterwauling do you keep here! If my lady have not called up her steward, Malvolio, and bid him turn you out of doors, never trust me. Sir To. My lady's a Cataian ', we are politicians : Malvolio's a Peg-a-Ramsey 2, and Three merry men we be. Am not I consanguineous? am I not of her blood? Tilly-valley 3, lady! There dwelt a man in Babylon, lady, lady! [Singing. Clo. Beshrew me, the knight's in admirable fooling. Sir And. Ay, he does well enough, if he be disposed, and so do I too; he does it with a better grace, but I do it more natural. Sir To. O the twelfth day of December,— [Singing. Enter MALVOLIO. Mal. My masters, are you mad? or what are you? Have you no wit, manners, nor honesty, but to gabble like tinkers at this time of night? Do ye make an alehouse of my lady's house, that ye squeak out your coziers' catches without any mitigation or remorse of voice? Is there no respect of place, persons, nor time, in you? Sir To. We did keep time, sir, in our catches. Sneck up! 5 My Mal. Sir Toby, I must be round with you. lady bade me tell you, that, though she harbours you as her kinsman, she's nothing allied to your disorders. If you can separate yourself and your misdemeanors, you are welcome to the house; if not, an it would please you to take leave of her, she is very willing to bid you farewell. Sir To. Farewell, dear heart, since I must needs be gone. Mar. Nay, good sir Toby. Clo. His eyes do show his days are almost done. Sir And. A mellifluous voice, as I am true knight. than a steward? Dost thou think, because thou art Sir To. A contagious breath. Sir And. Very sweet and contagious, i'faith. Sir To. To hear by the nose, it is dulcet in contagion. But shall we make the welkin dance indeed? Shall we rouse the night-owl in a catch, that will draw three souls out of one weaver ? Shall we do that? Sir And. An you love me, let's do't: I am dog at a catch. Clo. By'r lady, sir, and some dogs will catch well. Sir And. Most certain: let our catch be, Thou knave. virtuous, there shall be no more cakes and ale? Sir To. Thou'rt i'the right. Go, sir, rub your chain with crums: — A stoop of wine, Maria! Mal. Mistress Mary, if you prized my lady's favour at any thing more than contempt, you would not give means for this uncivil rule; she shall know of it, by this hand. Mar. Go shake your ears. 1 Romancer. 2 Name of an old song. 3 Equivalent to filly-fally, shilly-shally. 5 Hang yourself. [Exit. SCENE II.. OR, WHAT YOU WILL. Sir And. 'Twere as good a deed as to drink when a man's a hungry, to challenge him to the field; and then to break promise with him, and make a fool of him. Sir To. Do't, knight; I'll write thee a challenge or I'll deliver thy indignation to him by word of mouth. Mar. Sweet sir Toby, be patient for to-night : since the youth of the count's was to-day with my For monsieur lady, she is much out of quiet. Malvolio, let me alone with him: if I do not gull him into a nay-word, and make him a common recreation, do not I think I have wit enough to lie straight in my bed: I know, I can do it. Sir To. Possess us', possess us; tell us something of him. Mar. Marry, sir, sometimes he is a kind of Puritan. Sir And. O, if I thought that, I'd beat him like a dog. Sir To. What, for being a Puritan? thy exquisite reason, dear knight? Sir And. I have no exquisite reason for't, but I have reason good enough. Mar. The devil a Puritan that he is, or any thing an affectioned ass, constantly but a time-pleaser; that cons state without book, and utters it by great swarths 8 : the best persuaded of himself, so crammed, as he thinks, with excellencies, that it is his ground of faith, that all, that look on him, love him; and on that vice in him will my revenge find notable cause to work. Sir To. What wilt thou do? Mar. I will drop in his way some obscure epistles of love; wherein, by the colour of his beard, the shape of his leg, the manner of his gait, the expressure of his eye, forehead, and complexion, he shall find himself most feelingly personated: I can write very like my lady, your niece; on a forgotten matter we can hardly make distinction of our hands. Sir To. Excellent! I smell a device. Sir To. He shall think, by the letters that thou Mar. My purpose is, indeed, a horse of that colour. Sir And. O, 'twill be admirable. [Exit. Sir To. Good night, Penthesilea. 9 Sir And. I was adored once too. Sir To. Let's to bed, knight. — Thou hadst need send for more money. Sir And. If I cannot recover your niece, I am a foul way out. Sir To. Send for money, knight; if thou hast her not i'the end, call me Cut. 1 Sir And. If I do not, never trust me, take it how you will. 7 Inform us. 1 Fool. Sir To. Come, come; I'll go burn some sack, [Exeunt. 'tis too late to go to bed now: come, knight; come, knight. SCENE IV. A Room in the Duke's Palace. Enter DUKE, VIOLA, CURIO, and others. morrow, friends: Cur. He is not here, so please your lordship, that Duke. Who was it? Cur. Feste, the jester, my lord; a fool, that the Duke. Seek him out, and play the tune the while. Duke. Thou dost speak masterly: Vio. About your years, my lord. I think it well, my lord. Re-enter CURIO, and Clown. Duke. O fellow, come, the song we had last night: Mark it, Cesario; it is old, and plain : And dallies with the innocence of love, Clo. Are you ready, sir? 2 Simple truth. F 4 [Musick. Duke. Give me now leave to leave thee. Clo. Now, the melancholy god protect thee; and the tailor make thy doublet of changeable taffata, for thy mind is a very opal. — I would have men of such constancy put to sea, that their business might be every thing, and their intent every where; for that's it, that always makes a good voyage of nothing.- Farewell. [Exit Clown. Duke. Let all the rest give place. [Exeunt CURIO and Attendants. Once more, Cesario, Get thee to yon' same sovereign cruelty: Tell her, my love, more noble than the world, Prizes not quantity of dirty lands; The parts that fortune hath bestow'd upon her, Can bide the beating of so strong a passion Fab. I would exult, man: you know, he brought me out of favour with my lady, about a bear-baiting here. Sir To. To anger him, we'll have the bear again; and we will fool him black and blue: :- Shall we not, sir Andrew? Sir And. An we do not, it is pity of our lives. Enter MARIA. Sir To. Here comes the little villain : How now, my nettle of India? Mar. Get ye all three into the box-tree: Mal-volio's coming down this walk; he has been yonder i'the sun, practising behaviour to his own shadow this half hour: observe him, for the love of mockery⚫ for, I know, this letter will make a contemplative idiot of him. Close, in the name of jesting! [The men hide themselves.] Lie thou there; [Throws down a letter,] for here comes the trout that must be caught with tickling. [Exit MARIA. Enter MALVOLIO. Mal. 'Tis but fortune; all is fortune. Maria once told me, she did affect me: and I have heard herself come thus near, that, should she fancy, it should be one of my complexion. Besides, she uses me with a more exalted respect than any one else that follows her. What should I think on't? Sir To. Here's an overweening rogue! Fab. O, peace! Contemplation makes a rare turkey-cock of him; how he jets 5 under his advanced plumes! Sir And. 'Slight, I could so beat the rogue: Sir To. Peace, I say. Mal. To be count Malvolio; Sir To. Ah, rogue! Sir And. Pistol him, pistol him. Sir To. Peace, peace! Mal. There is example for't; the lady of the strachy married the yeoman of the wardrobe. Sir And. Fie on him, Jezebel! Fab. O, peace! now he's deeply in, look, how imagination blows him. Mal. Having been three months married to her, sitting in my state, 4 Denial. Struts |