Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - 254 páginas Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Contenido
1 The Long Decade 19892001 | 1 |
2 The Words of Mercury and the Songs of Apollo | 25 |
3 The Golden Girl and a Fistful of Dust | 47 |
4 Shakespeare and Hollywood | 64 |
5 Song Sea and Sexual Mystery | 79 |
6 Checkmate | 91 |
7 Changing Colors Like the Chameleon | 105 |
8 Shooting Stars | 119 |
10 Bankside Shakespeare | 155 |
11 Shakespeare and Hollywood Revisited | 170 |
12 The Prince of Manhattan | 187 |
13 A Wilderness of Tigers | 203 |
14 Conclusion | 218 |
Notes | 225 |
249 | |
9 A Clean WellSpoken Place | 135 |
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Términos y frases comunes
actors allows Almereyda’s American appears approach audience become begins body Bottom Branagh’s film camera cast character Claudius Close comedy comes contemporary Coursen create critical culture cuts decade directed director dominated Dream echo Edzard’s English example face father film’s final find first follows frame genre Gertrude ghost gives Hamlet hand head Henry Hoffman Hollywood Iago idea images imagination interesting Juliet Kenneth landscape language less lines London look Lost lovers Luhrmann’s material McKellen mirror moment move movie musical natural never Night Noble’s notes Nunn Nunn’s Olivier Olivier’s opening Ophelia Othello Parker’s performance play play’s popular present Press production provides reading reflection relationship released remarkable reveals Richard romantic Romeo scene screen screenplay seems sequence Shake Shakespeare films Shakespeare in Love shot similar soliloquy song stage stars style success suggest takes Taymor’s tion Titus tradition University visual wants young Zeffirelli’s
Referencias a este libro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Vista previa limitada - 2007 |