The Bernhardt Hamlet: Culture and ContextP. Lang, 1996 - 266 páginas Critics regarded Sarah Bernhardt's interpretation of Hamlet in 1899 as the revelation of Shakespeare's tragedy in France. The Bernhardt Hamlet is the first to investigate that production and to explain its context and its impact upon the cultural life of the time. Bernhardt's most significant innovation was her rejection of romantic sensibility in favor of the revenge tradition. In assuming a male role, she remained within the theatrical tradition of travesti that came to full fruition in the nineteenth century. Classically trained, the 54-year-old Bernhardt refashioned the Hamlet inheritance with insight, vigor, and originality. |
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Página 14
... dramatic situation , deliver as many as four alexandrines upon a single breath . Through her mastery of the use of vibrato , she could invest her words with dramatic effects as varied as anger and seduction . She could alternate the ...
... dramatic situation , deliver as many as four alexandrines upon a single breath . Through her mastery of the use of vibrato , she could invest her words with dramatic effects as varied as anger and seduction . She could alternate the ...
Página 57
... dramatic significance of the dumb show is not fully grasped , it can present a problem of redundancy , since the same plot is presented , first in pantomime , then in an unfinished verbal text . The question that has troubled ...
... dramatic significance of the dumb show is not fully grasped , it can present a problem of redundancy , since the same plot is presented , first in pantomime , then in an unfinished verbal text . The question that has troubled ...
Página 193
... Dramatic News ( 1 July 1899 ) , 703 . 39 Illustrated Sporting and Dramatic News ( 1 July 1899 ) , 703 ; Dithmar , New York Times ( 26 December 1900 ) , 6 . 40 Geoffrey Ashton with Members of the Staff , Shakespeare and British Art ( New ...
... Dramatic News ( 1 July 1899 ) , 703 . 39 Illustrated Sporting and Dramatic News ( 1 July 1899 ) , 703 ; Dithmar , New York Times ( 26 December 1900 ) , 6 . 40 Geoffrey Ashton with Members of the Staff , Shakespeare and British Art ( New ...
Contenido
The Performed Text | 45 |
IV | 55 |
Literary Theatrical Cultural | 67 |
Derechos de autor | |
Otras 6 secciones no mostradas
Términos y frases comunes
13 June 26 December According acting actor actress adaptation appeared approach audience Beerbohm Bernhardt's Hamlet character Charles clipping in Enthoven Comédie-Française concerning considered contemporary continued costume critic curtain Daily Telegraph death direction Dowden Dumas-Meurice effect Elizabethan employed English Enthoven Collection entire example expression fact feminine fencing France French Ghost hand Henry Irving included indicates influence initial interpretation John King Laertes lines London madness maintains means moreover Mounet-Sully movement nineteenth century observed Ophelia original pantomime Paris performance Plate play Players Polonius portrait possible practice première present Prince production production of Hamlet question quoted regarded remained response reveals revenge reviewer Robins role romantic Sarah Bernhardt scene Schwob-Morand Scott seen Shakespeare similar soliloquy speech Sprague stage suggested sword tableau theatre theatrical tradition translation travesti Tree University Press voice women World York young