Script Analysis for Actors, Directors, and DesignersTaylor & Francis, 2005 - 336 páginas Script Analysis for Actors, Directors, and Designers applies directly to the experience of theatrical production; students will immediately be able to relate the concepts and procedures they learn to their artistic work. The author's procedural method is detailed and precise. The parts of a play are learned progressively, which fosters an understanding of the concept of artistic unity. Examples are clear and comprehensive. Actors, directors, and designers will benefit from end-of-chapter questions and summaries meant to stimulate their creative process as they engage in production work. |
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... -Action 20 Counter Through-Action Summary 23 Questions 23 Postscript 25 22 CHAPTER 1 CHAPTER 2 Foundations of the Plot: Given Circumstances 27 Time 28 Place 35 Society 41 Economics 48 Politics and Law 50 Intellect and vii Contents.
... -Action 20 Counter Through-Action Summary 23 Questions 23 Postscript 25 22 CHAPTER 1 CHAPTER 2 Foundations of the Plot: Given Circumstances 27 Time 28 Place 35 Society 41 Economics 48 Politics and Law 50 Intellect and vii Contents.
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James Michael Thomas. Society 41 Economics 48 Politics and Law 50 Intellect and Culture Spirituality 52 51 The World of the Play 53 Summary 54 Questions 55 Postscript for Action Analysis 56 Foundations of the Plot : Background Story ...
James Michael Thomas. Society 41 Economics 48 Politics and Law 50 Intellect and Culture Spirituality 52 51 The World of the Play 53 Summary 54 Questions 55 Postscript for Action Analysis 56 Foundations of the Plot : Background Story ...
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Contenido
CHAPTER 1 Action Analysis | 1 |
Given Circumstances | 27 |
Background Story | 57 |
External and Internal Action | 81 |
Progressions and Structure | 117 |
CHAPTER 6 Character | 145 |
CHAPTER 7 Idea | 175 |
CHAPTER 8 Dialogue | 201 |
CHAPTER 9 Tempo Rhythm and Mood | 239 |
CHAPTER 10 The Style of the Play | 265 |
A Final Word about Dramatic Form | 293 |
Supplementary Topics for Script Analysis | 295 |
Introduction to Genres and Styles of Drama | 301 |
315 | |
323 | |
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Términos y frases comunes
Action Analysis actors Angels in America appear Arthur Miller artistic audience background story beats beginning behavior Beneatha Biff Billy Chapter character’s Claudius comedy conflict CREON critics Death designers dialogue directors dramatic dramatists Ekdal emotional example express father feelings Formalist Analysis Ghost Given Circumstances Gregers Hairy Ape Hamlet Happy Days Hedvig Hjalmar Horatio Ibsen idealism important intellectual Internal Action Laertes literary main idea Mama Martin meaning modern plays mood Moscow Art Theatre Mother Courage murder narration objectives Oedipus Rex Ophelia Orgon Piano Lesson play’s playwrights plot political Polonius Raisin readers relationship Relling reveal rhythm Richie role Ruth Salesman Sam Shepard scene School for Scandal script analysis Seed sentences social speech stage directions Stanislavski Streamers style stylistic subtext super-objective Tartuffe tempo theatre theatrical Three Sisters Through-Action tion topic understand values Walter Werle Wild Duck Willy Willy’s words York