Shakespeare at the Cineplex: The Kenneth Branagh EraOhio University Press, 2003 - 254 páginas Rated ‘Outstanding’ in the 2004 edition of University Press Books Selected for Public and Secondary School Libraries Samuel Crowl's Shakespeare at the Cineplex: The Kenneth Branagh Era is the first thorough exploration of the fifteen major Shakespeare films released since the surprising success of Kenneth Branagh's Henry V (1989). Crowl presents the rich variety of these films in the “long decade: between the fall of the Berlin Wall and the terrorist attacks on September 11, 2001.” The productions range from Hollywood-saturated films such as Franco Zeffirelli's Hamlet and Michael Hoffman's A Midsummer Night's Dream to more modest, experimental offerings, such as Christine Edzard's As You Like It. Now available in paperback, Shakespeare at the Cineplex will be welcome reading for fans, students, and scholars of Shakespeare in performance. |
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Página 67
... romantic energy of Shakespearean comedy buried in the heart of these remarkable films.12 While Cavell never mentions Much Ado About Nothing when he spins out from his close readings of individual films to seek and work a Shake- spearean ...
... romantic energy of Shakespearean comedy buried in the heart of these remarkable films.12 While Cavell never mentions Much Ado About Nothing when he spins out from his close readings of individual films to seek and work a Shake- spearean ...
Página 71
... romantic film , buoyed by the sophistication of his maturing cinematic imagination ( several sequences , including the final swirling dance , are beautifully effective in their fluid use of a steadicam ) and Patrick Doyle's lush score ...
... romantic film , buoyed by the sophistication of his maturing cinematic imagination ( several sequences , including the final swirling dance , are beautifully effective in their fluid use of a steadicam ) and Patrick Doyle's lush score ...
Página 124
... romantic sensibility gets swept away by the iconography of the Roman Catholic Church . Russell Jackson acutely ob- serves that while “ Romeo + Juliet has a stylized sense of actuality and modernity . . . [ it ] is no less romantic at ...
... romantic sensibility gets swept away by the iconography of the Roman Catholic Church . Russell Jackson acutely ob- serves that while “ Romeo + Juliet has a stylized sense of actuality and modernity . . . [ it ] is no less romantic at ...
Contenido
19892001 | 1 |
Branaghs | 25 |
Zeffirellis Hamlet | 47 |
Derechos de autor | |
Otras 10 secciones no mostradas
Otras ediciones - Ver todas
Términos y frases comunes
Aaron actors audience Beatrice Benedick Branagh's film Branagh's Hamlet Branagh's Henry Branagh's Much Ado captured Cesario cinematic Claudius Claudius's Close's comedy contemporary Coursen create culture cuts decade Desdemona director Donaldson echo Edzard's father festive Fishburne Fishburne's Fortinbras frame genre Gertrude ghost H. R. Coursen Hamlet Hawke's History of Shakespeare Hoffman Hollywood Iago Iago's Ibid images imagination Jorgens Kenneth Branagh landscape language Loncraine Loncraine's Love's Labour's Lost lovers Luhrmann's film Malvolio McKellen Midsummer Night's Dream mirror move movie musical Noble's Nunn Olivier Olivier's Ophelia Orsino Othello performance Photofest play's Polonius postmodern provides relationship released Richard Richard III romantic Romeo and Juliet Rothwell Royal Shakespeare Company scene screenplay script sequence Shake Shakespeare films Shakespeare on Film Shakespeare on Screen Shakespeare's text Shakespearean material shot soliloquy song speare speare's stage production style Taymor's Titus theater theatrical tion Titus's Twelfth Night visual Welles's William Shakespeare's Romeo Zeffirelli's film Zeffirelli's Hamlet
Referencias a este libro
The Cambridge Companion to Shakespeare and Popular Culture Robert Shaughnessy Vista previa limitada - 2007 |