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More composition and fierce quality,
[Putting up the Letter. Glo. Why so earnestly seek you to put up that letter? Edm. I know no news, my lord.
But the divinity of his genius foretold, as it were, what such an atheist as Vannini would say, when he wrote upon such a subject.
Warburton. subscrib’d his power!] To subscribe, is, to transfer by sign. ing or subscribing a writing of testimony. We now use the term, He subscribed forty pounds to the new building. Johnson.
To subscribe in Shakspeare is to yield, or surrender. So, afterwards: “ You owe me no subscription." Again, in Troilus and Cressida:
- For Hector in his blaze of wrath subscribes
“ To tender objects.” Malone. The folio reads--prescribed. Steevens.
exhibition.] is allowance. The term is yet used in the universities. Johnson. So, in The Two Gentlemen of Verona:
- What maintenance he from his friends receives,
All this done Upon the gad!] To do upon the gad, is, to act by the sudden stimulation of caprice, as cattle run madding when they are stung by the gad fly. Johnson.
Done upon the gad is done suddenly, or, as before, while the iron is hot A gad is an iron bar. So, in I'll never leave thee, a Scottish song, by Allan Ramsay:
“ Bid iceshogles hammer red gads on the studdy.” The statute of 2 and 3 Eliz. 6, c. 27, is a “ Bill against false forging of iron gadds, instead of gadds of steel.” Ritson.
Glo. What paper were you reading?
Glo. No? What needed then that terrible despatch of it into your pocket? the quality of nothing hath not such need to hide itself. Let's see; Come, if it be nothing, I shall not need spectacles.
Edm. I beseech you, sir, pardon me: it is a letter from my brother, that I have not all o'er-read; for so much as I have perused, I find it not fit for your over-looking.
Glo. Give me the letter, sir.
Edm. I shall offend, either to detain or give it. The contents, as in part I understand them, are to blame.
Glo. Let's see, let's see.
Edm. I hope, for my brother's justification, he wrote this but as an essay or taste of
virtue.? Glo. [reads] This policy, and reverence of age, makes the world bitter to the best of our times ; keeps our fortunes from us, till our oldness cannot relish them. I begin to find an idle and fondo bondage in the oppression of aged tyranny;'who sways, not as it hath power, but as it is suffered. Come to me, that of this I may speak more. If our father would sleep till I waked him, you should enjoy half his reve
taste of my virtue.] Though taste may stand in this place, yet I believe we should read-assay or test of my virtue: they are both metallurgical terms, and properly joined. So, in Hamlet :
“ Bring me to the test.” Johnson. Essay and Taste, are both terms from royal tables. Sec note on Act V, sc. iii. Mr. Henley observes, that in the eastern parts of this kingdom the word say is still retained in the same sense. So, in Chapman's version of the nineteenth Iliad: « Atrides with his knife took say, upon the part before ;”.
Steevens, Both the quartos and folio have essay, which may have been mere. ly a mis-spelling of the word assay, which in Cawdrey's Alphabetical Table, 1604, is defined — a proof or trial.” But as essay is likewise defined by Bullokar in his English Expositor, 1616, “a trial,” I have made no change.
To assay not only signified to make trial of coin, but to taste before another; prælibo. In either sense the word might be used here.
Malone. 8 This policy, and reverence of age,] Butter's quarto has, this policy of age; the folio, this policy and reverence of age. Johnson.
The two quartos published by Butter, concur with the folio in reading age. Mr. Pope's duodeciino is the only copy that has ages.
Steevens. idle and fond ---] Weak and foolish. Johnson.
nue for ever, and live the beloved of your brother, Edgar. -Humph-Conspiracy ! _ Sleep till I waked him-you should enjoy half his revenue, My son Edgar! Had he a hand to write this? a heart and brain to breed it in? When came this to you? Who brought it?
Edm. It was not brought me, my lord, there's the cunning of it; I found it thrown in at the casement of
Glo. You know the character to be your
brother's ? Edm. If the matter were good, my lord, I durst swear it were his; but, in respect of that, I would fain think it were not.
Glo. It is his.
Edm. It is his hand, my lord; but, I hope, his heart is not in the contents.
Glo. Hath he never heretofore sounded you in this business?
Edm. Never, my lord: But I have often heard him maintain it to be fit, that, sons at perfect age, and fathers declining, the father should be as ward to the son, and the son manage his revenue.
Glo. () villain, villain !--His very opinion in the letter!-Abhorred villain! Unnatural, detested, brutish villain! worse than brutish!-Go, sirrah, seek bim! I'll apprehend him :- -Abominable villain ! — Where is he?
Edm. I do not well know, my lord. If it shall please you to suspend your indignation against my brother, till you can derive from him better testimony of his intent, you shall run a certain course; where, if youl violently proceed against him, mistaking his purpose, it would make a great gap in your own honour, and shake in pieces the heart of his obedience. I dare pawn down my life for him, that he hath writ this to feel my
affection to your honour, and to no other pretence of danger.
where, if you —] Where was formerly often used in the sense of whereas. See Vol. X, p. 211, n. 1. Malone. So, in Pericles, Prince of Tyre, Vol. XVII, Act I, sc. i:
“Where now you're both a father and a son.”' See also Act II, sc. iii. Steevens.
pretence -] Pretence is design, purpose. So, afterwards it
“ Pretence and purpose of unkindness. Johnson.
Glo. Think you so? Edm. If your honour judge it meet, I will place you where you shall hear us confer of this, and by an auricular assurance have your satisfaction; and that without any further delay than this very evening.
Glo. He cannot be such a monster.
Glo. To his father, that so tenderly and entirely loves him.--Heaven and earth!- Edmund, seek him out; wind me into him,4 I pray you: frame the business after your own wisdom: I would unstate myself, to be in a due resolution.5
“ Against the undivulg'd pretence I fight
“Of treasonous malice.” But of this, numberless examples can be shown;
and I can venture to assert, with some degree of confidence, that Shakspeare never uses the word pretence, or pretend, in any other sense. Steevens.
3 Edm.] From Nor is, to heaven and earth! are words omitted in the folio. Steevens.
wind me into him,] I once thought it should be read, you into him; but, perhaps, it is a familiar phrase, like do me this.
Johnson. So, in Twelfth Night: “ - challenge me the duke's youth to fight with him.” Instances of this phraseology occur in The Merchant of l'enice, King Henry IV, Part I, and in Othello. Steevens.
- I would unstate myself, to be in a due resolution.] i. e. I will throw aside all consideration of my relation to him, that I may act as justice requires. Warburton.
Such is this learned man's explanation. I take the meaning to be rather this, Do you frame the business, who can act with less emotion ; I would unstate myself; it would in me be a departure from the paternal character, to be in a due resolution, to be settled and composed on such an occasion. The words would and should are in old language often confounded. Johnson. The same word occurs in Antony and Cleopatra :
“ Yes, like enough, high-battled Cæsar will
“ Against a sworder." To unstate, in both these instances, seems to have the same mean. ing. Edgar has been represented as wishing to possess his father's fortune, i.e. to unstate him; and therefore his father says he would unstate himself to be sufficiently resolved to punish him. Steevens.
It seems to me, that I would unstate myself, in this passage, means simply I would give my estate, (including rank as well as fortune).
Tyrwhitt. Both Warburton and Johnson have mistaken the sense of this passage, and their explanations are such as the words cannot possibly imply. Gloster cannot bring himself thoroughly to believe what Ed.
Edm. I will seek him, sir, presently; convey the business6 as I shall find means, and acquaint you withal.
Glo. These late eclipses in the sun and moon portend no good to us: Though the wisdom of nature? can reason it thus and thus, yet nature finds itself scourged by the sequent effects: love cools, friendship falls off, brothers divide : in cities, mutinies; in countries, discord ; in palaces, treason; and the bond cracked between son and father. *This villains of mine comes under the prediction; there's son against father: the king falls from bias of nature; there's father against child. We have seen the best of our time: Machinations, hollowness, treachery, and all ruinous disorders, follow us disquietly to our graves !*—Find out this villain, Edmund; it shall
mund told him of Edgar. He says, “Can he be such a monster ?" He afterwards desires Edmund to sound his intentions, and then says, he would give all he possessed to be certain of the truth ; for that is the meaning of the words to be in a due resolution. Othello uses the word resolved in the same sense more than once:
to be once in doubt, 6. Is-once to be resolve.l. -" In both which places, to be resolved means, to be certain of the fact.
M. Mason. Though to resolve, in Shakspeare's time, certainly sometimes meant to satisfy, declare, or inform, I have never found the substan. tive resolution used in that sense ; and even had the word ever borne
the author could not have written-to be in a due resolu. tion, but must have written, “ — to attain a due resolution.” Who. ever wished “ to be in due information” on any point? Malone:
Mr. Malone says, that he has never found the substantive resolution used in the sense which I have attributed to it in my explanation of this passage: but in the fifth scene of the third act of Massinger's Picture, Sophia says
I have practis'd
what should work on my lord
convey the business -] To convey is to carry through ; in this place it is to manage artfully: we say of a juggler, that he has a clean conveyance. Johnson.
7 -- the wisdom of nature -] That is, though natural philosophy can give account of eclipses, yet we feel their consequences. Johnson.
8 This villain – ] All from asterisk to asterisk is omitted in the quartos. Steedens.