Chats about Books: Poets and NovelistsScribner, 1883 - 360 páginas |
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Página 2
... character sketches , carefully drawn , but pale in color , and adjusted to a narrow canvas , like Miss Austen . But they had never produced a drama or an epic poem . Neither had they shown themselves competent to execute that elaborate ...
... character sketches , carefully drawn , but pale in color , and adjusted to a narrow canvas , like Miss Austen . But they had never produced a drama or an epic poem . Neither had they shown themselves competent to execute that elaborate ...
Página 3
... character under the shaping of circumstances and the growth and recoil of passions . On the other hand , what lessons and criti- cisms might be interjected by way of prologue and in- terlude , what spirit , whether of mirth or sadness ...
... character under the shaping of circumstances and the growth and recoil of passions . On the other hand , what lessons and criti- cisms might be interjected by way of prologue and in- terlude , what spirit , whether of mirth or sadness ...
Página 4
... characters under the play of motives and the pressure of events is often evolved with a sustained , deliberate touch which in a feminine writer was unprecedented . Her portraits of masculine . nature , however , are less life - like ...
... characters under the play of motives and the pressure of events is often evolved with a sustained , deliberate touch which in a feminine writer was unprecedented . Her portraits of masculine . nature , however , are less life - like ...
Página 5
... character , but is seen immediately , or subsequently , to be one of the piv- ots of the story . A like economy of materials is notice- able in " Scenes of Clerical Life , " as well as in George Eliot's later books . Again , her actors ...
... character , but is seen immediately , or subsequently , to be one of the piv- ots of the story . A like economy of materials is notice- able in " Scenes of Clerical Life , " as well as in George Eliot's later books . Again , her actors ...
Página 6
... characters on the stage , he rarely frustrates his central purpose of lucid , forceful exposition by resorting to metaphors or allusions not capable of instant and general comprehension . On the other hand , we have noted many instances ...
... characters on the stage , he rarely frustrates his central purpose of lucid , forceful exposition by resorting to metaphors or allusions not capable of instant and general comprehension . On the other hand , we have noted many instances ...
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Términos y frases comunes
æsthetic American artist Balzac beauty Bret Bret Harte Brynhild Buddha cæsura character charm crown Daniel Deronda death drama dream dwell earth Endymion England English epic Erechtheus eyes fact faith Ferroll France French George Eliot Greek hand hath Hawthorne's heart Hugo's human Illyria instinct James king L'Assommoir lady less literary living Longfellow's Lord Lord Beaconsfield lyric Mary Beaton Mary Stuart master ment Méraut mind Nana narrative nature Neuchatel never Nibelungen novel novelist once Paris passion perhaps persons play poem poet poet's poetry portrayed Praxithea present Prince Queen Racine reader romantic Ruy Blas scarcely scene second empire seems sentiment Sigurd social society song soul spirit story sweet Swinburne sympathy tender Thackeray thee theme thine things thou thought tion tragedy truth verse Victor Hugo Völsung Völsunga Saga volume woman women word writer young Zola Zola's
Pasajes populares
Página 186 - All was ended now, the hope, and the fear, and the sorrow, All the aching of heart, the restless, unsatisfied longing, All the dull, deep pain, and constant anguish of patience ! And, as she pressed once more the lifeless head to her bosom, Meekly she bowed her own, and murmured,
Página 112 - All is best, though we oft doubt, What the unsearchable dispose Of highest wisdom brings about, And ever best found in the close.
Página 324 - No need hath such to live as ye name life ; That which began in him when he began Is finished: he hath wrought the purpose through Of what did make him Man. Never shall yearnings torture him, nor sins Stain him, nor ache of earthly joys and woes Invade his safe eternal peace; nor deaths And lives recur. He goes Unto NIRVANA. He is one with life Yet lives not. He is blest, ceasing to be. OM, MANI PADME, OM! the Dewdrop slips Into the shining sea ! This is the doctrine of the KARMA.
Página 104 - Retiring from the popular noise, I seek This unfrequented place to find some ease, Ease to the body some, none to the mind From restless thoughts, that, like a deadly swarm Of hornets arm'd, no sooner found alone, But rush upon me thronging, and present Times past, what once
Página 111 - Come, come, no time for lamentation now, Nor much more cause. Samson hath quit himself Like Samson, and heroicly hath finished A life heroic, on his enemies Fully revenged ; hath left them years of mourning...
Página 315 - The victim's bonds, none staying him, so great His presence was. Then, craving leave, he spake Of life, which all can take but none can give, Life, which all creatures love and strive to keep, Wonderful, dear, and pleasant unto each, Even to the meanest; yea, a boon to all Where pity is, for pity makes the world Soft to the weak and noble for the strong.
Página 105 - Ask for this great deliverer now, and find him Eyeless in Gaza, at the mill with slaves, Himself in bonds under Philistian yoke.
Página 346 - In mathematics he was greater Than Tycho Brahe or Erra Pater ; For he, by geometric scale, Could take the size of pots of ale ; Resolve by sines and tangents straight, If bread or butter wanted weight ; And wisely tell what hour o' th' day The clock does strike by algebra.
Página 184 - Full of hope, and yet of heart-break, Full of all the tender pathos Of the Here and the Hereafter;— Stay and read this rude inscription, Read this Song of Hiawatha!
Página 310 - The veil is rent Which blinded me! I am as all these men Who cry upon their gods and are not heard, Or are not heeded — yet there must be aid! For them and me and all there must be help! Perchance the gods have need of help themselves, Being so feeble that when sad lips cry They cannot save!