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LIONEL AND CLARISSA:
A SCHOOL FOR FATHERS:
A COMIC OPERA,
IN THREE ACTS.
BY ISAAC BICKERSTAFF, Esq.
I mis op a was first performed at Covent Garden, in 1768; and afterwards altered and revived at Drury LnQ, with the n title of the School for Fathers, which is now usually added to its original name. The Author as. perted the tire originality of his production, having borrowed neither character, language, nor incident, som any other writer. Be this as it may, the piece has considerable claims, not merely as a medium for vocal ability, but from its good sense.
Lionel ani his Clarissa, whose delicacy of love is well portrayed, are sure to gain the sympathy of their younger auditors and readers.-Colonel Oldboy supports the old Engli h strength of character, in admirable contrast with the effeminae Mr. Jessamy, who is a good caricature of the modern breed of useless triflers, neither male nor female in the rideas or pursuits, but a nauseous compound of the worst parts of both. ---Diana, Sir John Flower dale, Lady M ry Oldboy, and the other characters, are in good keeping with the general tone of this agreeable drama.
COVENT GARDEN, 1768
DRURY LANE, 1814.
Be grateful to the season,
Its pleasures let's employ;
Kind nature gives, and reason
Permits us to enjoy.
Col. O. Well said, Dy, thank you, Dy.—This, bea-table sits Jenkins; and on the opposite side Master Jenkins, is the way I make my daughter Diana, who appears playing on a harpsichord; here and kiss me, you slut; come here and kim
entertain me every morning at breakfast. Come a Girl attending:
me, you baggage. Diana. Ah, how delightful the morning, Diana. Lord, papa, you call one such names
How sweet are the prospects it yields ! Col. O. A fine girl, Master Jenkins, a devilish Summer luxuriant adorning
fine girl! she has got my eye to a twinkle. There's The gardens, the gioves, and the fields. fire for you-spirit !-1 design to marry her to a