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second nap: I perceive you are surprised at his | Scene changes and discovers the doors of four appearance you must know, I was his dresser. Mon. You!

Y. Whim. In imitation of dame Fortune, I have deprived one man of what he really wanted, to lavish it on another, who had no use for it.

Mon. Well, Sir; as the circumstances under which we met prove that each of us have some reasons for wishing to be concealed at present.—

Y. Whim. I'll e'en take my leave; but before I go, upon my soul, I long to have one knock at that rascal, who lies sleeping there-You must know, he has had the impudence to be my rival, with a devilish pretty little black-eyed wench who twirls a mop in this house.

Whim. [Aside.] Zounds! I believe the dog has discovered me.

Y. Whim. Do let me fetch a horse-whip-I ask but for three cuts at him-only three cutsZounds! here comes Mrs. Pattypan-Then I'm off-and Tim may sleep on in whole bones.

Enter MRS. PATTYPAN.

[Exit.

rooms.

Enter YOUNG WHIMSEY and SIMON.

Y. Whim. Let me see-you say the gentleman who took shelter with me behind the windowcurtain, is Mr. Monford, my sister Charlotte's lover.

Simon. Yes, Sir, and he is going to run away with her this evening. I know where they of dered the chaise.

Y. Whim. Then run back instantly to the inn, and countermand Mr. Monford's chaise in his name-I'll take the consequences-when the other comes, tell the post-boy to let me knowI'll step into the room which I find was intended for my father-the old gentleman will hardly go into it, as he does not mean to sleep there-be quick-don't lose a moment.

[Exit SIMON. Exit Y. WHIM. into the first

room.

Mon. [To MRS. P.] Ah! Mrs. Pattypan-Ime to meet him in his room directly—the mo suppose you are in search of your apprenticethere he sits, in a kind of double disguise, both of dress and liquor.

Mrs. Pat. Yes, yes, Sir, I have heard of it all; and shall give him a lecture on the subject. [Exit MoN. Whim. [Aside.] The devil? it will be a fine joke against me, to be discovered in this situation -I'll e'en feign to be asleep.

Enter MONFORD and CHARLOTTE, meeting. Char. Oh! Monford-my father has ordered ment your chaise is ready, come to me in my chamber-Remember that the farthest door is mine, and don't venture to speak above a whis Mon. My charmer-my Charlotte! Char. Hush! this is not a time for fine speeches-I'm sure I hear my father's footsteps -I must be gone. [Exeunt different ways.

per.

Points to the door.

Enter OLD WHIMSEY.

tice

Mrs. Pat. Oh, Tim Tartlett! I did mean to scold you-but your presence softens all my resentment.-Come, you must not be too bashful- Whim. Ha, ha, ha! Well done, old Whimsey you have to be sure taken a liberty, by your con--who will pretend to deny that I am an excelduct this evening-but when a woman loves a lent politician!-to set off at a moment's man-she can pardon little liberties in him. -without giving Monford the most distant ink[Taking his hand. ling of my intentions!-Egad, I shall jockey them all; and leave Jack to pay for the lodgings as well as he can-and now I'll e'en retire to my own room, and wait for Charlotte.

Enter CHARLOTTE and MONFORD, with his arm round her waist, as if talking to her-MRS. PATTYPAN starts, and OLD WHIMSEY discovers himself.

Mrs. Pat. Upon my word, Ma'am, this intru

sion.

Whim. Is a very agreeable intrusion, Mrs. Pattypan, I really began to be afraid of you.

Mrs. Pat. Afraid of me--but I wont be out of temper.

Char. I declare I thought it was Mr. Ti-I mothy.

Mrs. Pat. Yes, Ma'am, I thought it was Mr. Timothy too. The old gentleman could never suppose I meant to make love to him-ha, ha, ha!

Whim. Faith, I don't know, Mrs. Pattypanthe love of some ladies is a kind of universal philanthropy-it extends to all mankind-[Exit MRS. P. And pray, Sir, did you think it was Mr. Timothy too?-In short, Monford, we have all passed a mighty agreeable evening, and it is now time to go to bed. One word at parting-if you marry Mrs. Pattypan-you had better continue to keep a sharp look out after Mr. Timothy. So good night t'ye.

[Exeunt WHIM. and CHAR., and MON. on the opposite side.

[Goes into the room where his son is concealed -shuts the door.

Enter MRS. PATTYPAN.

Mrs. Pat. My young Madam's door open! That's the signal I suppose for Mr. Timothy to wait on her but she is mistaken-at these years think I know the value of a lover too well to lose him so easily-but I hear somebody coming, and must not be seen here I'll e'en step into my new lodger's room for a minute, till they are gone. [Exit into the second room.

Enter MONFORD.

Mon. That must be Charlotte by her tiptoe tread, and the rustling of her gown-but then why retire into my room instead of her own—I'll follow her, however-the devil take the people, will they never be in bed in this house!

[Exit into the room where MRS. P. is gone.

Enter TIM TARTLETT.

Tim. What shall I do!-I fear I am not quite sober yet; the plaguy old woman haunts me like

a ghost-By jingo, I believe here she comesWhere shall I hide myself?-Here is a door open, i'faith; any port in a storm they say.

[Exit into the third room, and shuts the door.

Enter CHARLOTTE.

Char. I think the whole house is now at rest, except our faithful Nancy. My father is undoubtedly in his own chamber. My door is shut; so Monford is certainly gone into my room. Lud, I am so frightened-I wish I were safe out of the house.

[Exit into the room where TIM TARTLETT is

gone.

Enter SIMON and the POSTBOY. Simon. I'll bring you to my master, my lad, he'll give you his orders here.

Postboy. I suppose his honour pays handsomely-travels with a silver spur, eh!-I've all my paces-from eighteen pence to five shillings a stage. But where is the gentleman ?

Simon. I'faith, that's more than I can tell-perhaps he is in his bed-chamber; but which it is of those rooms I'm sure I don't know. Stay here a moment, while I step down stairs and inquire.

[Exit. Postboy. And so I'm to kick my heels here while he is looking for his master, and my horses standing in the street all the while. I'll e'en try all the doors-I shall find the right one at last. [Knocking at each of the doors in turn.] Nobody answers-rot me, if I don't believe the people are all asleep-Ha-gentlefolks! the chaise is ready. [Cracking his whip; all the doors fly open at once, and the sereral persons who had con cealed themselves in the rooms come out. Whim. [Taking YOUNG WHIMSEY's hand.] -Come along, Charlotte, come along. Hey-day! how did you come here, you dog!-[Looking round him.]-and you ?-and you?

Char. Heavens! we are discovered! [Turning round, and seeing TIM.] Bless me! Mr. Timothy? Mrs. Pat. Yes, Ma'am-you are discovered, indeed.

Mon. Mr. Whimsey !-I'm really all confusion. Whim. Yes, faith-so the rest of the company seem to be. Here we are-fat and lean-old and young-paired as badly as the city train-bands at a Lord Mayor's show? but how the devil we came here in couples, seems as yet to remain a secret.

Mrs. Pat. I can explain it. Your shameless daughter seduced the affections of my intended husband; and has attempted to tear him from my arms.

Whim. Tear him from your arms! Egad, 1 should think that no easy matter, Mrs. Pattypan, if you were resolved to hold him fast.

Mon. I believe, Sir, my confession will explain every thing to you. I own I did intend to elope with Miss Charlotte this evening.

Whim. Very obliging of you, indeed- -to make a confession, when your scheme is discovered--I have seen a highwayman do as much just before his execution.

Y. Whim. Then, Sir, as execution follows confession-let them be tied up directly—with Benefit of Clergy.

Tim. Suppose you and I follow the example, mistress! I believe my hour is come; and so the sooner I am out of my pain the better.

Mrs. Pat. Then, Tim is constant after all. Tim. Ah! mistress, that I am. [Sighing. Char. My dear father will not let me petition in vain.

Y. Whim. Nay-Nancy will join her intreaties; and then, Sir, you will a second time be between two fires.

Whim, Ah! rot your two fires !—the dog has me fast-I dare not refuse my consent; and so, Monford, take my daughter; but, curse me, if I intended you should have had her. As for you, Mrs. Pattypan, may you find marriage like one of your own tarts, with no more acid in it, than is just enough to render the sweets more poignant.To crown your satisfaction, may your lodgings never remain empty! and may every friend, who takes a peep at the First Floor honour it with their approbation

[Eseunt

THE SIEGE OF DAMASCUS:

A TRAGEDY,

IN FIVE ACTS.

BY JOHN HUGHES, Esq.

REMARKS.

THIS is a very noble production from the pen of Hughes. The characters are finely sustained and well contrast ed-Barbarian fierceness and christian firmness are in fine opposition throughout. The business is now highly interesting, and was originally more so, before the ignorance of the managers of the Play-house altered the original design-They had, it seems, certain fairy notions of chivalry and heroism in their heads, and could not tolerate a hero after he had changed his religion.

The excellent author altered his play, for the benefit of his relations; for he himself died on the night of its first representaion, Feb. 17, 1719-20.

We now see this piece usually once in a season, chiefly in benefit time; it merits, however, to be constantly seen and read, for, as a composition, modern times have shown nothing near it.

DRAMATIS PERSON Æ.

CHRISTIANS.

EUMENES, Governor of Damascus,.

HERBIS, his Friend, one of the Chiefs of the City,..

PHOCYAS, a noble and valiant Syrian, privately in love with Eudocia,.
ARTAMON, an officer of the Guards,...

SERGIUS, an Express from the Emperor Heraclius,..

COVENT GARDEN.

Mr. Hull
Mr. Fearon.

Mr. Pope.
Mr. Davies.
Mr. Cubit.

EUDOCIA, Daughter to Eumenes,..

Officers, Soldiers, Citizens, and Attendants.

SARACENS.

Mrs. Pope.

CALED, General of the Saracen Army,..
ABUDAH, next in command under Caled...

DARAN, a wild Arabian, professing Mahometanism for the sake of the spoil,..
SERJABIL,

RAPHAN, &C.

Captains....

Officers, Soldiers, and Attendants.

Mr. Henderson
Mr. Farren.
Mr. Thompson
Mr. Helme

Mr. Ledger.

SCENE.-The Cuty of Damascus, in Syria, and the Saracen Camp before it. And, in the last Act a Valley adjacent.

PROLOGUE.

OFT has the music here tried her magic arts,
To raise your fancies, and engage your hearts.
When o'er this little spot she shakes her wand,
Towns, cities, nations, rise at her command;

And armies march obedient to her call,
New states are form'd, and ancient empires fall
To vary your instruction and delight,
Past ages roll renew'd before your sight.
His awful form the Greek and Roman wears,
Waked from his slumber of two thousand years

And man's whole race, restored to joy and pain, Act all their little greatness o'er again.

No common woes to-night we set to view;
Important in the time, the story new.
Our opening scenes shall to your sight disclose
How spiritual dragooning first arose ;

Claims drawn from Heaven by a barbarian lord,
And faith first propagated by the sword.
In rocky Araby this post began,

And swiftly o'er the neighbouring country ran:
By faction weaken'd, and disunion broke,
Degenerate provinces admit the yoke;

Nor stopp'd their progress, till resistless grown, Th' enthusiasts made all Asia's world their own. Britons, be warn'd; let e'en your pleasures

here

Convey some moral to th' attentive ear.
Beware, lest blessings long possess'd displease;
Nor grow supine with liberty and ease.
Your country's glory be your constant aim,
Her safety all is yours think yours her fame.
Unite at home-forego intestine jars;
Then scorn the rumours of religious wars:
Speak loud in thunder from your guarded shores,
And tell the Continent the sea is yours.
Speak on-and say, by war, you'll peace maintain,
"Till brightest years, reserved for George's reign
Advance, and shine in their appointed round:
Arts then shall flourish, plenteous joys abound,
And, cheer'd by him, each loyal muse shall sing,
The happiest island, and the greatest King.

ACT I.

SCENE I-The City.

Enter EUMENES, followed by a crowd of people. Eum. I'll hear no more. Begone!

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Her. So the tide turns; Phocyas has driven it back. The gate once more is ours.

Enter EUMENES, PHOCYAS, ARTAMON, &c. Eum. Brave Phocyas, thanks! mine and the people's thanks.

[People shout and cry, A PHOCYAS! &c. Yet, that we may not lose this breathing space, Hang out the flag of truce. You, Artamon, Haste with a trumpet to the Arabian chiefs, And let them know, that hostages exchanged, I'd meet them now upon the eastern plain.

[Exit ARTAMON.

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Or stop your clamorous mouths, that still are For injured rights, or birth, or jealous greatness,

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That sets the princes of the world in arms.
Base-born, and starved amidst their stony deserts,
Long have they view'd from far, with wishing

eyes,

Our fruitful vales, our fig trees, olives, vines,
Our cedars, palms, and all the verdant wealth
That crowns fair Lebanon's aspiring brows.
Here have the locusts pitch'd, nor will they leave
These tasted sweets, these blooming fields of
plenty,

For barren sands, and native poverty,
Till driven away by force.

Eum. What can we do?

Our people in despair, our soldiers harass'd
With daily toil, and constant nightly watch:
Our hopes of succour from the emperor
Uncertain; Eutyches not yet return'd,
That went to ask them; one brave army beaten ;

The valiant Phocyas leads them on- -whose Th' Arabians numerous, cruel, flush'd with con

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SCENE II-A plain bofore the City. A prospect of Tents at a distance.

Enter CALED, ABUDAH, and DARAN.
Dar. To treat, my chiefs!What! are we
merchants then,

That only come to traffic with those Syrians,
And poorly cheapen conquest on conditions?
No; we were sent to fight the caliph's battles,
'Till every iron neck bend to obedience.
Another storm makes this proud city ours;
What need we treat?-

plunder. Caled. Why, so am Ilives

Caled. Is that a question now? you had our

summons,

When first we march'd against you to surrender.
Two moons have wasted since, and now the third
Is in its wane. 'Tis true, drawn off a while,
At Aiznadin we met and fought the powers
Sent by your emperor to raise our siege,
Vainly you thought us gone; we gain'd a con-
quest.

You see we are return'd; our hearts, our cause,
Our swords the same.

Her. But why those swords were drawn,
And what's the cause, inform us.

Eum. Speak your wrongs,

If wrongs you have received, and by what means
They may be now repair'd.

Abu. Then, christians, hear!

And Heaven inspire you to embrace its truth!
Not wrongs t' avenge, but to establish right
Our swords were drawn: For such is Heaven's

command

Immutable. By us great Mahomet,
And his successor, holy Abubeker,
Invite you to the faith.

Arta. [Aside.] So-then, it seems
There's no harm meant; we're only to be beaten
Into a new religion-If that's all,

I find I am already half a convert.

Eum. Now, in the name of Heaven, what faith is this,

That storks gigantic forth, thus arm'd with ter-
rors,

As if it meant to ruin, not to save?
-I am for war and That leads embattled legions to the field,
And marks its progress out with blood and
slaughter?

-and but to save the

Of mussulmans, not christians, I would not treat:
I hate these christian dogs; and 'tis our task,
As thou observ'st, to fight; our law enjoins it:
Heaven too is promised only to the valiant.
Oft has our prophet said, the happy plains
Above, lie stretch'd beneath the blaze of swords.
Abu. Yet, Daran's loth to trust that Heaven
for pay;

This earth, it seems, has gifts that please him

more.

Caled. Check not his zeal, Abudah.
Abu. No: I praise it.

Yet, I could wish that zeal had better motives.
Has victory no fruits but blood and plunder?
That we were sent to fight, 'tis true; but where-
fore?

For conquest, not destruction. That obtain'd,
The more we spare, the caliph has more subjects,
And heaven is better served-But see, they

come.

Enter EUMENES, HERBIS, and ARTAMON.
Caled. Well, christians, we are met-and war
awhile,

At your request, has still'd his angry voice,
To hear what you will purpose.

Eum. We come to know,

After so many troops you've lost in vain,
If you'll draw off in peace, and save the rest.
Her. Or rather to know first-for yet we know

not

Why on your heads, you call our pointed arrows,
In our own just defence! What means this visit?
And why see we so many thousand tents
Rise in the air, and whiten all our fields?

Her. Bold, frontless men! that impudently

dare

To blend religion with the worst of crimes!
And sacrilegiously usurp that name,
To cover fraud, and justify oppression!

Eum. Where are your priests? What doctors
of your law

Have you e'er sent t' instruct us in its precepts ?
To solve our doubts, and satisfy our reason,
And kindly lead us through the wilds of error
To these new tracts of truth-This would be
friendship,

And well might claim our thanks.
Caled. Friendship like this

With scorn had been received: your numerous
vices,

Your clashing sects, your mutual rage and strife,
Have driven religion, and her angel guards,
Like out-casts from among you. In her stead,
Usurping superstition bears the sway,

And reigns in mimic state, 'midst idol shows,
And pageantry of power. Who does not mark
Your lives? Rebellious to your own great prophet
Who mildly taught you-Therefore Mahomet
Has brought the sword to govern you by force,
Nor will accept obedience so precarious.
Eum. O solemn truths! though from an in-
pious tongue!
[Aside.

That we're unworthy of our holy faith.
To Heaven, with grief and conscious shame, we

own.

But what are you that thus arraign our vices,
And consecrate your own? Vile hypocrite!
Are you not sons of rapine, foes to peace,
Base robbers, murderers-

Caled. Christians no

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