Engendering a Nation: A Feminist Account of Shakespeare's English HistoriesRoutledge, 2002 M09 11 - 272 páginas Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England. Plays featured include: * King John It will be a must for students and scholars interested in the cultural and social implications of Shakespeare today. |
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... ideological implications of Olivier's project are clear. Produced in a time of national emergency and dedicated “To the Commandos and Airborne Troops of Great Britain” (quoted in Holderness 1985:184), Olivier's film was explicitly ...
... ideological implications of Olivier's project are clear. Produced in a time of national emergency and dedicated “To the Commandos and Airborne Troops of Great Britain” (quoted in Holderness 1985:184), Olivier's film was explicitly ...
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... ideology that Branagh's film expresses. The history plays Shakespeare wrote in the 1590s helped produce what are now regarded as “traditional” gender relations and the divisions between what we now call the public and private domains ...
... ideology that Branagh's film expresses. The history plays Shakespeare wrote in the 1590s helped produce what are now regarded as “traditional” gender relations and the divisions between what we now call the public and private domains ...
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Otras ediciones - Ver todas
Engendering a Nation: A Feminist Account of Shakespeare's English Histories Jean E. Howard,Phyllis Rackin Vista previa limitada - 2002 |
Engendering a Nation: A Feminist Account of Shakespeare's English Histories Jean Elizabeth Howard,Phyllis Rackin Vista previa limitada - 1997 |
Engendering a Nation: A Feminist Account of Shakespeare's English Histories Jean Elizabeth Howard Sin vista previa disponible - 1997 |
Términos y frases comunes
action actor associated audience Bastard battle battlefield Branagh’s Bullingbrook Cade Cade’s chorography chronicle claim cultural death defined demonic Dolphin domestic dramatic Duke dynastic early modern Eastcheap Edward effeminate Eleanor Eleanor Cobham Elizabeth England Falstaff father Faulconbridge female characters feminine feminist critics folio France gender genealogical Gloucester Gloucester’s Hal’s Harfleur Helgerson Henry IV Henry VI plays Henry’s heroic Heywood’s history plays Holinshed Holinshed’s Hotspur’s Houses of Yorke husband identified identity ideology Jack Cade Joan Joan’s Katherine King John king’s language London male Margaret marriage masculine medieval men’s monarch Mortimer’s narrative nation Olivier’s patriarchal patriarchal authority patrilineal play’s playhouse quarto queen Quickly Quickly’s Rackin rape represented Richard Richard III Richmond roles royal authority scene second tetralogy sexual Shakespeare’s English histories Shakespeare’s play social soldiers speech stage subversive Suffolk Talbot tavern theater thou threat threatens tragedy Tudor Tudor dynasty Welsh wife woman women York York’s