Table Talk: Or, Original Essays on Men and Manners, Volumen1H. Colburn, 1824 - 401 páginas |
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Página 20
... leave of it before I could go to bed at night . I remember sending it with a throbbing heart to the Exhibition , and seeing it hung up there by the side of one of the Honourable Mr. Skeffing- ton ( now Sir George ) . There was nothing ...
... leave of it before I could go to bed at night . I remember sending it with a throbbing heart to the Exhibition , and seeing it hung up there by the side of one of the Honourable Mr. Skeffing- ton ( now Sir George ) . There was nothing ...
Página 55
... leaving the other quite empty . While the blow is coming , we prepare to meet it , we think to ward off or break its force , we arm ourselves with patience to endure what cannot be avoided , we agitate ourselves with fifty needless ...
... leaving the other quite empty . While the blow is coming , we prepare to meet it , we think to ward off or break its force , we arm ourselves with patience to endure what cannot be avoided , we agitate ourselves with fifty needless ...
Página 57
... leave out all that has gone before , which has been one way of looking at the subject . Such calcu- lators seem to say that life is nothing when it is over , and that may in their sense be true ON THE PAST AND FUTURE . 57.
... leave out all that has gone before , which has been one way of looking at the subject . Such calcu- lators seem to say that life is nothing when it is over , and that may in their sense be true ON THE PAST AND FUTURE . 57.
Página 99
... leaves in the rays of boyish delight , that stream from his thoughtful eyes ; the rainbow lifts its proud arch in heaven but to mark his progress from infancy to manhood ; an old thorn is buried , bowed down under the mass of ...
... leaves in the rays of boyish delight , that stream from his thoughtful eyes ; the rainbow lifts its proud arch in heaven but to mark his progress from infancy to manhood ; an old thorn is buried , bowed down under the mass of ...
Página 110
... leaves behind him any work which is a model in its kind , we have no right to ask whether he could do any thing else , or how he did it , or how long he was about it . All that talent which is not necessary to the actual quantity of ...
... leaves behind him any work which is a model in its kind , we have no right to ask whether he could do any thing else , or how he did it , or how long he was about it . All that talent which is not necessary to the actual quantity of ...
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Abraham Tucker abstract admire Andrea Sacchi appears artist beauty Carlo Maratti Cavanagh character Claude Lorraine Cobbett colour common sense common-place Correggio delight Discourse distinction Edinburgh Review effect effeminacy Elgin marbles ESSAY excellence expression face faculty fancy feeling French Revolution genius give grandeur greatest habit hand head heart human idea imagination imitation impression instance interest Julius Cæsar lady learned live look Lord Luca Giordano manner Masaccio means ment Michael Angelo mind nature neral ness never notions object observation Oliver Cromwell opinion pains painter painting passion perfection person picture play pleasure poet prejudices pretend principle produced pursuit question racters reason refinement Rembrandt rience rule shew Sir Joshua sort speak spirit striking style sure talk taste thing thought tion Titian true truth turn vulgar Whigs whole words write