ShakespeareJ. Cape, 1961 - 448 páginas |
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Resultados 1-3 de 68
Página 317
... human beings a com- plete fusion of identity ; and it cannot be . Lovers can have one heart no more often , and no more durably , than they can have one body . The ecstasy of the body and the ecstasy of the heart are wonderful , alike ...
... human beings a com- plete fusion of identity ; and it cannot be . Lovers can have one heart no more often , and no more durably , than they can have one body . The ecstasy of the body and the ecstasy of the heart are wonderful , alike ...
Página 320
... human consciousness : that which knows the nature of human love , and knows what accidents are necessary to destroy it . In other words , Iago is an inevitable by - product in the process of making drama of the subtle tragedy of human ...
... human consciousness : that which knows the nature of human love , and knows what accidents are necessary to destroy it . In other words , Iago is an inevitable by - product in the process of making drama of the subtle tragedy of human ...
Página 322
... human . On the contrary , it often means that they are more profoundly human than they could be if they had been created by a different process . The springs of human character and action are mysterious , and in spite of Marx and Freud ...
... human . On the contrary , it often means that they are more profoundly human than they could be if they had been created by a different process . The springs of human character and action are mysterious , and in spite of Marx and Freud ...
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actors Antony Antony and Cleopatra audience Bastard become believe character Cleopatra Coleridge comedy conceit condition conscious Coriolanus creative death deliberate divine doth drama dream Elizabethan Enobarbus experience Falstaff feel genius Gentlemen of Verona Ghost Hamlet hath heart heaven Henry honour Horatio Hotspur human Iago imagination impression Jonson Keats kind King John King Lear live lord Macbeth madness matter means Merchant of Venice Mercutio merely mind moral nature necessity never Othello passion Perdita perhaps play players playwright poet poetic poetry Prince Hamlet Prospero queen reality Richard Richard II royal royalty scene seems sensation sense Shake Shakespeare criticism Shakespearian Shylock simple sleep sonnets soul speak speare speare's speech spontaneity story strange Stratford substance sweet Tempest theatre thee theme thing thou thought tion tragedy true Twelfth Night utterance Venus and Adonis verse Winter's Tale words writing