ShakespeareJ. Cape, 1961 - 448 páginas |
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Página 200
... impression made by these plays is the impression of an artistic whole . And , indeed , it seems more probable that Shakespeare did not deal in ' conceptions ' of the kind that are often attributed to him . He set himself in successive ...
... impression made by these plays is the impression of an artistic whole . And , indeed , it seems more probable that Shakespeare did not deal in ' conceptions ' of the kind that are often attributed to him . He set himself in successive ...
Página 337
... impression and my considered retrospection as nakedly as I can . The immediate impression is the same , whenever I re - read the play . I might use different language to communicate it at various times , but sub- stantially the impression ...
... impression and my considered retrospection as nakedly as I can . The immediate impression is the same , whenever I re - read the play . I might use different language to communicate it at various times , but sub- stantially the impression ...
Página 344
... impression of the play ? Is not King Lear pre - eminently an artefact ? If I admit this , of course I must also admit that the plays of which the immediate impression satisfies me may also be artefacts , in the same sense . The ...
... impression of the play ? Is not King Lear pre - eminently an artefact ? If I admit this , of course I must also admit that the plays of which the immediate impression satisfies me may also be artefacts , in the same sense . The ...
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actors Antony Antony and Cleopatra audience Bastard become believe character Cleopatra Coleridge comedy conceit condition conscious Coriolanus creative death deliberate divine doth drama dream Elizabethan Enobarbus experience Falstaff feel genius Gentlemen of Verona Ghost Hamlet hath heart heaven Henry honour Horatio Hotspur human Iago imagination impression Jonson Keats kind King John King Lear live lord Macbeth madness matter means Merchant of Venice Mercutio merely mind moral nature necessity never Othello passion Perdita perhaps play players playwright poet poetic poetry Prince Hamlet Prospero queen reality Richard Richard II royal royalty scene seems sensation sense Shake Shakespeare criticism Shakespearian Shylock simple sleep sonnets soul speak speare speare's speech spontaneity story strange Stratford substance sweet Tempest theatre thee theme thing thou thought tion tragedy true Twelfth Night utterance Venus and Adonis verse Winter's Tale words writing