ShakespeareJ. Cape, 1961 - 448 páginas |
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Página 273
... language are natural to usual human beings . This naturalistic , or realistic justification of unusual forms of language in dramatic poetry is misconceived : for it admits of no distinction between the ' naturalness ' of one use of un ...
... language are natural to usual human beings . This naturalistic , or realistic justification of unusual forms of language in dramatic poetry is misconceived : for it admits of no distinction between the ' naturalness ' of one use of un ...
Página 282
... language that invariably and intuitively be- comes the condition and position of each character . On the other hand , there is a language not de- scriptive of passion , not uttered under the influence of it , which is at the same time ...
... language that invariably and intuitively be- comes the condition and position of each character . On the other hand , there is a language not de- scriptive of passion , not uttered under the influence of it , which is at the same time ...
Página 283
... language uttered under the influence of passion : only it is a minor passion , which has yet to be gathered up into and controlled by the imaginative passion of the drama itself : the drama which , creatively considered , is a sustained ...
... language uttered under the influence of passion : only it is a minor passion , which has yet to be gathered up into and controlled by the imaginative passion of the drama itself : the drama which , creatively considered , is a sustained ...
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Términos y frases comunes
actors Antony Antony and Cleopatra audience Bastard become believe character Cleopatra Coleridge comedy conceit condition conscious Coriolanus creative death deliberate divine doth drama dream Elizabethan Enobarbus experience Falstaff feel genius Gentlemen of Verona Ghost Hamlet hath heart heaven Henry honour Horatio Hotspur human Iago imagination impression Jonson Keats kind King John King Lear live lord Macbeth madness matter means Merchant of Venice Mercutio merely mind moral nature necessity never Othello passion Perdita perhaps play players playwright poet poetic poetry Prince Hamlet Prospero queen reality Richard Richard II royal royalty scene seems sensation sense Shake Shakespeare criticism Shakespearian Shylock simple sleep sonnets soul speak speare speare's speech spontaneity story strange Stratford substance sweet Tempest theatre thee theme thing thou thought tion tragedy true Twelfth Night utterance Venus and Adonis verse Winter's Tale words writing