Die Jungfrau von Orleans: eine romantische TragödieH. Holt, 1894 - 237 páginas |
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Página i
... English in a simple way . As the play is not an historical one , he has made no effort to trace all its agreements or disagreements with history , a method which would obscure rather than elucidate the play , nor to show in detail the ...
... English in a simple way . As the play is not an historical one , he has made no effort to trace all its agreements or disagreements with history , a method which would obscure rather than elucidate the play , nor to show in detail the ...
Página ii
... English - speaking student and should offer no needless difficulty , of substituting for the dash , which Schiller , fol- lowing the fashion of his time , used so freely , some addi- tional or alternative pointing . In this he has been ...
... English - speaking student and should offer no needless difficulty , of substituting for the dash , which Schiller , fol- lowing the fashion of his time , used so freely , some addi- tional or alternative pointing . In this he has been ...
Página xv
... English and their allies , the first of which was in so different a key from the rest of the play that it needed to be treated by itself . Moreover , the char- acter and the mission of Joan are so extraordinary that a fuller exposition ...
... English and their allies , the first of which was in so different a key from the rest of the play that it needed to be treated by itself . Moreover , the char- acter and the mission of Joan are so extraordinary that a fuller exposition ...
Página xvi
... English . II . , 1-3 . First Stage . Relief of Orleans . Conster- nation and dissension in the English camp . Notice the progressive character of the successive stages . Here we have only the negative reflection of the victory ...
... English . II . , 1-3 . First Stage . Relief of Orleans . Conster- nation and dissension in the English camp . Notice the progressive character of the successive stages . Here we have only the negative reflection of the victory ...
Página xvii
... English camp . We here see the military prowess of Joan with our own eyes . The scenes with Montgomery which follows are an episode , throwing light on the condition of Joan's mission , but not forwarding the action of the play . On ...
... English camp . We here see the military prowess of Joan with our own eyes . The scenes with Montgomery which follows are an episode , throwing light on the condition of Joan's mission , but not forwarding the action of the play . On ...
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Términos y frases comunes
action Agnes Sorel anapæst Auftritt Bertrand Bruſt Burgund century characters Charles Chatel Chatillon Chinon Cloth court dative Dauphin death dramatic Dunois edle Edward III Engelländer England English Erzbischof fact Fahne faßt Fastolf Feind first foot France Frankreich French Fürsten geht genitive German gives Glück Gott great Hand hast Heer heilig Helm Henry Herold Herz Herzog Herzog von Burgund Himmel Hire ich's interest Isabeau iſt ist's jezt Joan Joan's Johanna Jungfrau Kampf Karl king kommt König Krone Land Laß Laßt Liebe life lines Lionel Loire long Louison love made make Margot Maria Stuart means Montereau Montgomery muß note Orleans phrase play poet power prologue Pronounce Raimond Reims reißt Ritter says scene Schiller Schiller's Schlacht Schwarzer Ritter Schwert second sehn sense ſich ſie Sieg Soldaten soll Stadt Stage direction syllables takes Talbot Thibaut thought three syllables Thron time unsern used Vater victory Volk Waffen Weib weiß zurück
Pasajes populares
Página 212 - Well, do not swear: although I joy in thee, I have no joy of this contract to-night: It is too rash, too unadvised, too sudden, Too like the lightning, which doth cease to be Ere one can say "It lightens.
Página 230 - I could weep My spirit from mine eyes ! There is my dagger, And here my naked breast ; within, a heart Dearer than Plutus...
Página 227 - Athens arose : a city such as vision Builds from the purple crags and silver towers Of battlemented cloud, as in derision Of kingliest masonry...
Página 218 - English after his death by a cannon-ball, carried on the necessary works with great skill and resolution. Six stronglyfortified posts, called bastilles, were formed at certain intervals round the town, and the purpose of the English engineers was to draw strong lines between them.