Die Jungfrau von Orleans: eine romantische TragödieH. Holt, 1894 - 237 páginas |
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Página i
... first time , their connection with English in a simple way . As the play is not an historical one , he has made no effort to trace all its agreements or disagreements with history , a method which would obscure rather than elucidate the ...
... first time , their connection with English in a simple way . As the play is not an historical one , he has made no effort to trace all its agreements or disagreements with history , a method which would obscure rather than elucidate the ...
Página vii
... first three acts ; his friendly interest and criticism will , he hopes , inspire him in his further activity . On March 5 he goes for quiet to his house in Jena , where , however , he suf- fers much from the harsh March winds . The 16th ...
... first three acts ; his friendly interest and criticism will , he hopes , inspire him in his further activity . On March 5 he goes for quiet to his house in Jena , where , however , he suf- fers much from the harsh March winds . The 16th ...
Página ix
... first pre- sented in Leipzig , September 18 , 1801 , where Schiller saw it with his wife and Körner . It was a complete justification of the poet . After the first act the audience broke into shouts of applause , and when Schiller left ...
... first pre- sented in Leipzig , September 18 , 1801 , where Schiller saw it with his wife and Körner . It was a complete justification of the poet . After the first act the audience broke into shouts of applause , and when Schiller left ...
Página x
... first volume , which however contained the Jungfrau . This corrected text is the standard . The subdivision into scenes was intro- duced , stage directions supplied , and some corrections made in the text itself . 6. Theater von ...
... first volume , which however contained the Jungfrau . This corrected text is the standard . The subdivision into scenes was intro- duced , stage directions supplied , and some corrections made in the text itself . 6. Theater von ...
Página xv
... first seven Exposition . scenes of Act I. , a part being even then reserved for the three opening scenes of Act II . A prologue The Prologue . in a modern play is rarely more than a short greeting to the audience , containing ...
... first seven Exposition . scenes of Act I. , a part being even then reserved for the three opening scenes of Act II . A prologue The Prologue . in a modern play is rarely more than a short greeting to the audience , containing ...
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Términos y frases comunes
action Agnes Sorel anapæst Auftritt Bertrand Bruſt Burgund century characters Charles Chatel Chatillon Chinon Cloth court dative Dauphin death dramatic Dunois edle Edward III Engelländer England English Erzbischof fact Fahne faßt Fastolf Feind first foot France Frankreich French Fürsten geht genitive German gives Glück Gott great Hand hast Heer heilig Helm Henry Herold Herz Herzog Herzog von Burgund Himmel Hire ich's interest Isabeau iſt ist's jezt Joan Joan's Johanna Jungfrau Kampf Karl king kommt König Krone Land Laß Laßt Liebe life lines Lionel Loire long Louison love made make Margot Maria Stuart means Montereau Montgomery muß note Orleans phrase play poet power prologue Pronounce Raimond Reims reißt Ritter says scene Schiller Schiller's Schlacht Schwarzer Ritter Schwert second sehn sense ſich ſie Sieg Soldaten soll Stadt Stage direction syllables takes Talbot Thibaut thought three syllables Thron time unsern used Vater victory Volk Waffen Weib weiß zurück
Pasajes populares
Página 212 - Well, do not swear: although I joy in thee, I have no joy of this contract to-night: It is too rash, too unadvised, too sudden, Too like the lightning, which doth cease to be Ere one can say "It lightens.
Página 230 - I could weep My spirit from mine eyes ! There is my dagger, And here my naked breast ; within, a heart Dearer than Plutus...
Página 227 - Athens arose : a city such as vision Builds from the purple crags and silver towers Of battlemented cloud, as in derision Of kingliest masonry...
Página 218 - English after his death by a cannon-ball, carried on the necessary works with great skill and resolution. Six stronglyfortified posts, called bastilles, were formed at certain intervals round the town, and the purpose of the English engineers was to draw strong lines between them.