William Shakespeare, Richard IIMartin Coyle Columbia University Press, 1999 - 192 páginas This Columbia Critical Guide steers a clear path through the huge body of critical material on Richard II that has accrued over the past three centuries, elucidating the play's reception by audiences, critics, and scholars since its first production. Beginning with a discussion of early commentaries, the book presents and addresses the most significant critical arguments to give the reader a clear understanding of the ways in which each generation has sought to invest Richard II with new meaning. The final section considers the radical new reading of Shakespeare's work provided by contemporary critics. |
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Martin Coyle. William Shakespeare Richard II EDITED BY MARTIN COYLE Series editor : Richard Beynon COLUMBIA UNIVERSITY PRESS NEW YORK Columbia University Press Publishers Since 1893 New York Chichester , COLUMBIA CRITICAL GUIDES.
Martin Coyle. William Shakespeare Richard II EDITED BY MARTIN COYLE Series editor : Richard Beynon COLUMBIA UNIVERSITY PRESS NEW YORK Columbia University Press Publishers Since 1893 New York Chichester , COLUMBIA CRITICAL GUIDES.
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Martin Coyle. Columbia University Press Publishers Since 1893 New York Chichester , West Sussex Editor's text copyright ... University Press books are printed on permanent and durable acid - free paper . Printed in the United States of ...
Martin Coyle. Columbia University Press Publishers Since 1893 New York Chichester , West Sussex Editor's text copyright ... University Press books are printed on permanent and durable acid - free paper . Printed in the United States of ...
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Contenido
INTRODUCTION | 5 |
CHAPTER TWO | 37 |
CHAPTER THREE | 58 |
CHAPTER FOUR | 81 |
CHAPTER FIVE | 102 |
CHAPTER SIX | 126 |
Discusses the new readings offered by New Criticism exploring the plays | 144 |
NOTES | 178 |
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Términos y frases comunes
action adaptation analysis Andrew Gurr audience Bate begins Bishop of Carlisle Bolingbroke Bullingbrook ceremony chapter character Coleridge Coleridge's context crown culture debate deposed deposition divine right drama Duchess E. M. W. Tillyard edition eighteenth century Elizabeth Elizabethan England English essay Essex extract feeling feudal Flint Castle garden Gaunt grief Hazlitt Henry Henry IV Henry VI ideas Jan Kott King Lear King Richard king's kingship language London look Lord majesty Manchester meaning medieval mind monarch Mowbray nature Neo-Classical criticism Neo-Classicism Northumberland Pater performance play's poet poetic political Queen reading rebellion reign Renaissance role Romantic criticism royal scene Schlegel sense Shakespeare Shakespeare's History Plays Shakespeare's play Shewring speech stage suggests Tate Tate's tetralogy theatre thinking thou throne Tillyard tion tragedy tragic Tudor unity University Press usurper Vickers W. B. Yeats Walter Pater William Shakespeare words Yeats York